Bill Scarsgard is locked in Anthony Hopkins’ Machine: You have trouble breathing in front of this intense thriller

What are you talking about?

The thief enters the luxurious car and finds himself in a trap inside. He finds that his enigmatic owner has complete control of him and that he will give him diabolic revenge.

Because of the game

Not good in the vicinity when Bill Scarsgard is there. If he is not a terrible creature himself (this, Nosferatu), the vengeful vigilance returned from hell (crowds) or those who want to fight Keanu Reeves in front of the holy heart (John Wick 4), he is a victim of history. In Zack Crager’s Barbaross, who is very clearly playing for his most famous roles to surprise him and this trap.

Director David Yarovesky (Britburn and his evil Superman), the feature film recalls this conceptual trillers of 90–2000, speed, cellular or even telephone game that we think the most. The first intermittent first minute ago, who introduces the main character, his condition and accuracy, which struck many of his city’s population, then in the rest of the story, almost exclusively in this luxury car, which he tried in front of the flight, while he was locked in the role of a mouse with whom he only heard the cat.

The latter portrays Anthony Hopkins, but not his father or life, no. The actor returns to the disturbing characters, predecessors, or, of course, a lamb. He never talks about tasting his interlocutor’s liver, but he reminds us of how his sound ring can be an anxiety source and make tension already very existing, and a lot of it is bound to cross the screen.

As in Fade Alvarez, the protagonist, despite his abuse, is gradually becoming a gentle, contact with his anchor, who submits himself to his justice armed very slowly or kindly with his taste. His film is registered in the context of the current crisis, to explain the original gesture of Eddie, not a trap in the pamphlet, as his heart remains his concept, which has ended with reactions that never appear illogical.

If we are afraid that an almost intense film in the car, which is almost intense in the car, does not harm staging (and therefore tension), which is limited to such a hindrance, is not the case. Thanks to some plans from the outside of the passenger department, which offers welcome breathing, the diversity of William Machiavelli’s ideas, or the evolution of the story that we will be silent here. So the concept works and was particularly successful for Bill Scarsgard.

A trip can be tortured enough when you play a character that tortures one from one end to another

“It was a very lonely experience in terms of playing for me, because for the good part of the movie there is only one camera and I am when I am stuck in this curse.”He said Entertaining a weekly About this “A pretty exciting trip”. “Other members of the casting have really missed because a lot of what I like in the game. This is the fact of dancing with a partner. After all, with Sir Anthony Hopkins. It was an incredibly cool experience.”

“But it was weird for so long to be alone. You tell yourself” Okay, where should I watch? The camera is there and I am not looking at a person. “Antony’s all dialogues run into the car.

Bill Scarsgard may be convinced: the viewer feels a part of the headache. But from there, it is that the efficiency and pleasure of the trap that we have experienced. Especially if we see it in the darkness of cinema.