“We are closer to existential science fiction”: This French actress in this Star Wars series performs from 5 to 4.2.

Separation: How did this role come to Andore? What was hiring, molding process, etc.?

Thierry Godard: Production was looking for French actors to give life to the people of Gori. They contacted French agents to find bilingual actors that comply with the required criteria.

I took several trials in June and July. Communication texts were in English. I sent my tapes and my profile was interested. When appointing Paris, he was appointed to face the director and producer to face face -to -face and everything went very well.

What did you know about the Star Wars series and the universe? How did you present your role?

I’m a fan of the original trilogy. I watched Andorra’s first season and took a shutter. Star Wars saga, first of all, think of family fun, and Andor’s approach is deeper.

There is bias, especially the musical that will lead us elsewhere. This first season is very impressed and I realize that the second work on the second is an exception. The way to renovate this world is quite crazy. We are closer to existential science fiction.

Turning your scenes with other French-speaker performers has your shooting experience?

Turning into French, in the middle of this huge device, is a little convinced. But I didn’t really feel this weight because it was warm from the manufacturers and the creator of the series, Tony Gilrooy.

As soon as you are chosen, in this world you really feel at home and what it represents in the history of cinema. Everything is done so that you feel good and work in the best conditions.

What is a language by your character? Why use this language and not just French?

This language was specifically designed for the needs of the series. As soon as we had roles, the language coach contacted us to repeat repeatedly repeatedly repeatedly.

It’s a very long process. I can’t figure it out in French, so it needed a lot of work. The study was long – it took me a month and a half to master it.

The idea was that we could naturally use the kit for some pressing and emotions. This is an approach that reminded me of the theater, with some authors who use unconstructive dialects. It was difficult, but at the same time very refreshing. There was a real dictionary and a dictionary, and we had a lot of fun on the teams.

What was your inspiration for this role?

I really didn’t specify. But I always liked playing bad guys in the big heart and it was already Han solo in the original trilogy.

I really liked to see that it was also my character: the person who begins to vote with others and who end up in this rebellious movement. If this is the picture we have with the Anglo-Saxons-this is the kind of person who has come up against tyranny-then it is eventually a good thing.