This is one of the greatest music of science fiction cinema: after 38 years, it still affects so much

In 1987, Alan Sylvestr offered one of the largest movie music of all time with its strong predator. The artist of Robert Zemekis Fetishi has just won the soundtrack in the future, when director John Macternan called him.

Cult origin!

After 38 years, this music is still as amazing and inseparable from the predator’s saga. Its main theme, immediately recognized, is built on the basis of syncented rhythmic patterns, strong copper and tribal percussion.

From the beginning of the film, when we see helicopters, Arnold Schwarzenegger and his group will be identified, a partition that accompanies the pictures, immediately puts the viewer in the atmosphere. This musical style creates a real sound identity, forming a climate of tension, secrets, and danger that is perfectly suited to jungle and extraordinary hunting.

Challenge

“Predator was a special challenge at the musical level”Recalls Alan Silvestri, who was interviewed in 2015 by the site Highlights.. “It has become a kind of ballet in a very interesting jungle: there were plenty of music, an incredible number of capabilities for the composer, but also a scary task.”Said the composer.

Indeed, Alan Sylvestry not only supports the scenes of action. The artist also manages to stop music to create narrowed silence, introducing almost invisible sound elements to determine constant psychological tension. This enhances the idea of ​​an invisible and comprehensive enemy.

The main difficulty for the composer was to maintain this tension for a long time when we do not see the monster during almost all films. “Of course, John Williams We have taught us all that you need to know that music reminds us that around something is wrong Sea teeth“Explained Alan Silvestri with abuse.

I remember Macternan was very clear in the time he wanted to feel tension and maintain it over time.

“I remember Macternan was very clear at the time he wanted to feel tension and maintain it over time. In this sense, it was quite easy to know what to do … helped with many cups of coffee”Joking a musician.

Percussion opera, strings and copper

The use of orchestra by Sylvester is very clever: dark copper, dissonant strings, military percussion … we feel the impact of a thriller, war film and fantastic genre. However, the composer also added strange, almost “non -pit” sound effects that cause the prey’s foreign world.

We think that the noise made by a predatory vision is when the story moves into a subjective view and presents a world that is visible in the eye of a stranger. There is also a very characteristic cry of creatures. For a large part of the film, the monster is invisible and it is only observed through its thermal vision and very identifiable noise. A kind of gutural scream, it causes the cold to panic for the viewer. But how was it created?

The prey to cry

Contrary to all expectations, this sound is not a fruit of computer manipulation! It just comes with flesh and bone: Peter Kalen. When it passes Tfcon de toronto In 2015, the artist returned to John Mcsteranan’s feature film and inspiration, which allowed him to create a predator cri in his voice.

“They were going to shoot at the end of the film when the prey removes his helmet and reveals his face.Said Peter Kalen. “I thought the crab on my back was dying on the sun; I saw this baby picture on the beach and it was really disgusting.The actor explained.

These small inventors that are related to music are accompanied by a story without taking it. The music is perfectly fit with John Macternan pictures, enhancing the dramatic tension without overloading it. It is accompanied by camera movements and actions, visually. This is a classic example of Imeretian film music in the story of the story.

The time we are working on, Predator’s music has moved to offspring, which has become integral to the character and sincerely. It has been used in suits and overload, which helps to create an iconic sound continuity, as well as stellar wars, foreign or terminator themes.