“No director on the planet has escaped this shoot”: According to Steven Soderberg, this spielberg film is a real model

Steven Spielberg Sea teeth celebrate the 50th anniversary of his phenomenal success in the box office, which all the studios again saw a strategy for their decline during the summer. Worn with Roy Shader, Richard Dreyfus and Robert Show, “Jaws” (VO) celebrated all generations of viewers who often think about the film. And not the great director, this film has never been forgotten.

“High level staging”

At 12 o’clock it was that another Steven, Soderberg (traffick), first discovered sea teeth. For TermHe returned to what he was experting with (one day seeing one movie from his childhood) in the history of classical cinema:

“An incredible combination of super concept and a high level.

“There is an obvious understanding of the spielberg, which Stanley Kubrick called non -alien narrative units. When you watch the film’s narrative, what each scene performs, this is a model of cinematographic stories, along with those who were admired at the time.”

“No director on the planet could have been able to shoot this”

Sodberg then returns to the difficulties of Spielberg and the team that were known before the film, and what we described here in detail until we continue to be more widely pursued by the fact that JAWS only succeeded thanks to the talent of spielberg:

“Observe the best movie names that year: Bar Lindon, one dog afternoon, sea teeth, nitrogen and theft above the cuckoo’s nest.

More broadly, with Spielberg’s talents, Soderberg is full of glory:

“If any other film director made one of the films, it would be the best movie in his career. “And this is one of the two films. Others would have been in bed for three years after that.”