This is one of the best scenes in Hollywood once and it was completely improvised

In the cinema, it happens that improvised scenes are lacking in their goal only by making a movie in Semolina, but sometimes, on the contrary, they manage to go. And so is Leonardo DiCaprio’s improvisation at one time … he entered history in Hollywood.

In the scenes of legendary improvisation

In the scenes of this scene, director Quentin Tarantino told them Far from the magazine (Through Collider:):

“In fact, it wasn’t in the script. So we didn’t repeat it or anything … Leo prepared everything. At one point, he said to me,” Listen, I really need to plant in the sequence of running. Okay? And when I miss this sequence, I have to have a real crisis of conscience and then come back “

Tarantino specified, this time in the microphoneIndusierIf DiCaprio had the notion that his character lacked his frameworks and then blamed himself, he was himself who would push him to take a lead sequence in his caravan, giving only a few ideas to say what he could say: “And I have never seen it as nervous as that day, we had to make a scene in three hours.”

Recall that at this point in the film, Rick Dalton plays a bad character in the Throw series (Ranch L in VF) and that he had just sheltered the replica, was delayed. He returns to his caravan for exploding, and the improvised result is before your eyes (and in the movie):

Why is improvisation successful?

There is not only an anthology cable area, but also some reduction of the character, which finds it difficult to maintain its retardation, which he gives to his alcoholism. It also contains a sequence in a driver in a taxi in which Rick Dalton talks to himself in the mirror as a kind of self -guard.

If this improvisation is awesome and one of the best moments in the film, it is because besides the performance he requires an actor to stay in the whole sequence, he tells the character, he is not free. Rick Dalton shows himself pathetic, angry, conceived, touched and unprotected. It’s a wonderful moment of cinema.