Tonight on TV: Mixing animation and real blows, bet was risky … The director returned to the future challenge!

Tonight on TV: Mixing animation and real blows, bet was risky … The director returned to the future challenge!

Robert Zemekis has always liked to study ambitious formats and place technology in the heart of his narrative process. His cult film, who wants Roger rabbit skin, is an excellent example.

Released to the cinema in 1988, three years after the future return, this family comedy follows the hysterical rabbit adventure. Early film animated star, Roger rabbits, was concerned about shooting because he suspected that his wife, the exciting Jessica, was cheated on the rabbit. The studio, which is employed by Roger, decides to hire a personal, Eddie Walant (actor Bob Hoskins), to realize what is hiding behind this story!

Robert Zemekis’s artistic challenge

Who wants to Roger Rabbit Peel It is a true technical feature of 1988. If the blend of animation and real footage was not a novelty at the time (we think Mary Poppins came out in 1965), Robert Zemekis It was distinguished by the cartoon and the real world coexistence in an incredibly reliable way.

In addition, it was also necessary to unite the animated characters of Warner Stables (Bugs Bunny and Duffy Duck) and Disney (as well as Mickey and Donald), which is still the most excellent animation.

Thus, in this family film, animated characters, especially Roger and Jessica Rabbit, and mentioned above, physically interact with real actors and real decorations. Incredible thorough work, especially after everything was done by the image, manually.

326 animators had to get animated characters, given the prospect and the lighting of each plan in real filming. Overall, it has been established that at least 82,080 paintings were needed to make a film, let alone the scenarios and conceptual drawings, for the next production of fourteen months.

Technical capabilities, technical Oscars. Who wants to Roger Rabbit Peel In 1989, the best special effect sculptures, the best sound effects and the best installation in 1989, and a special sculpture came to determine Richard Williams’ impressive work to manage animation and create animated characters.

The risky bet, but succeeded because the film had a successful success ($ 349 million around the world for 70 million budgets). Hat Robert Zemekis!

Tonight at 9:05 pm.

Meetings between the cartoon and the real world:

Source: Allocine

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