After multiple false songs, we now know who the new day is, aimed at the domain of Barto: this is the novel, one of the housewives with whom the thesis has become friends. The novel is actually the daughter of Estel Martinez and Jonas Vaseuri.
He is also Gabriel’s biological father who has never been able to meet. Jonah has never recovered from it and life is over. The novel is responsible for Louise’s death, for it was the one who prevented her from contacting Gabriel.
On the day of the announcement of Crow’s identity, the distribution was able to meet an actor who portrays Nina Hazote, a novel.
Marion Aime (left) and Nina Hazote (right)
Separation: When did you find out that your character was a crowd? Did you know from the beginning, or it was gradually done, on the scenarios you get?
Nina Hazot: From the second actor I was told that my character had a crowd. I knew that the novel was playing a double game. But it was the first episodes of scenarios that I finally realized that the main arch of the soap for this intrigue.
Were other actors too?
No, I was the only one I knew from the beginning. Probably two weeks before filming, we had a day when we were for several meetings, especially for rehearsals. And I spoke to other actors of my character, I realized that no one knew it was a romantic crowd. That just told me. I taught a few people, but I also told myself that it was fun to show any doubt. They both learned this as you went to you.
How did you get ready to play this role?
What is interesting with the novel is that he really plays a double game. I decided to make my previous life before I was a professional actress. I have done strange jobs as waitresses, where you should always be very smiling and polite. I told myself that for the Roman version at work, I was really going to inspire this character with the feature of this character and played a model employee thoroughly. Definitely without thinking when turning around, the whole story that was back and why he did it. I was not going to reflect because it was important not to show anything.
As for the true family story of the novel, I had a lot of information, more than other actors who have a character. So I had an inspired thing, and I worked a lot for the scenes where the novel dropped the mask. I have done a great deal of imagination compared to his past and his father, but also about his connections with Louis and Bartli’s family.
I have imagined that a jubilee is a pleasure to play a character -like character that is more difficult than it seems. Romance first appears to be a secondary character, but it turns out to be in the central plot.
Totally. I felt incredibly production. I was really thankful for them because I think it’s a crazy gift when you are an actor and have such a role. It was as if we had twice as much as a character that shows only one aspect. This is very nice, especially because I love working above my scenes. There, I really had what to do, a lot of Background On the character. I was able to feed her, watch a lot of films … I had great pleasure in working with these first episodes in a romantic role.
How the scenes were made where you were facing Héléna noguerra Sister Jean-Baptiste MountainerAnd would you threaten their cemetery with guns?
In the scenario, these were two sequences that are located in another sequence, but at the same time we have tours. This would allow us to devote more time to these scenes than if we took the sequence, then another. It was obviously not so much because there was a lot of game and a significant emotional intensity. There was also support for the waterfall for Jean-Baptist and me.
In fact, what was wonderful was that I had already taken many scenes from the previous episodes with Helna and Jean-Baptist. Even if I was in the “Romanesque used model” mode, I was dying, I looked at them and wondering how the novel character was going to discuss them. It was not vague as a preparation that allowed me to be with them, and to be fully in their characters.
It’s a crazy gift when you are an actor and have such a role.
There is also another element that helped me a lot, it was the tomb of the novel’s father Jonas that I had not expected at all. I don’t know, I just didn’t think about it. I was very focused on the relationship between Roman, Louise, Gabriel … but I didn’t think about the elements of the decor. On D -Day, when I went to the cemetery and saw what the team did in decorations and accessories, and therefore the grave, it was very touched. This is an element on which I was relied on a lot.
How is everyday life shoot? It should be quite intense, even if there is a very good atmosphere among the actors.
Indeed, the general atmosphere is very good. I think we are all very happy that we are part of such a project. I remember the first day of shooting, it was April 14 and we were all there in the first clap. There were many of us. I think we have such important casting as celebrities, less famous people, people who are from Montpellier, with whom he decided to produce this chance to be part of such a project. We really think that we live quite an exception and that we are very pleased.
After that, in terms of rhythm, it goes very fast. This is a particularly cruel pace. I was more out of the theater and rehearsing, working a lot while playing the final play against the audience. So there, it has nothing to do with the rhythm. I had a little audio -visual experience before the new day, and I found the rhythm of everyday life.
For my part, this is quite useful because we are forced to arrive on the plateau, which was really working. I knew that I had an interest in getting really well prepared because it didn’t have time to repeat and put it in rhythm. This is quite imagined, even at the beginning, I’m not going to lie, it’s also quite stressful. We know that after a certain period of time, even if we failed the right power, we have to move on because we can’t do too much time.
Did you know as a viewer of the soap opera world until the new day?
Not at all, I came from the theater and was much more accustomed to reading plays and toy. And I’m a wonderful movie viewer. But what a fun it is that I was always looking at the M6. When I allow TV, it was the M6 channel I systematically. Growing up, and especially with the onset of theatrical research, I lost a small habit of watching TV and went to the cinema more.
When I started the project, it was both new and familiar. For a year and a half, I have been standing for the capture of soap operas as everything starts here and such a wonderful sun, in the technical teams. It was important for me to have another point of view than the actor, viewing the other side of the camera and the challenges of various techniques. So, I managed to train the training assistant and carry out internships in other daily series of the region.
This is very interesting and, in the end, is quite rare as an actor course.
When I did this training, I was already a professional actress, I was already living. But my first audio -visual experience was face to face 3 years ago. I really remember, I told myself “I don’t understand anything, I don’t understand vocabulary, nor who are these people and different deals.”. As an actor, I was surrounded by people whose bets I didn’t know and that was really bothering me.
After that, I decided to train at the camera assistant, as well as because I am an image image, this is one of the things that most relate to the cinema and audio. I told myself that it was an opportunity to discover something else in the conservatory or in the game schools.
I have an impression, especially on a new day, to understand what is happening when I work with a technical team. I should not tell you where to place myself, or tell them where to know the light. Thanks to this experience, I still have the impression that other actors are moving forward. I don’t know I’m understandable.
Yes, it is very clear. In fact, it is obvious that every actor must go there to better understand their profession.
It is perfect for every day that the technical team changes every two weeks. So we meet many different directors, technicians and technicians and obviously many actors. I have been able to discuss it and have the impression that this is the knowledge we gain experience when you are an actor. You have to look for your hands, try to ask, ask questions, but it takes time. I’m not far away that I’m a hardware expert, and I haven’t done enough to tell myself a camera assistant, but it’s true that it is a learning that has served a lot and which I still serve many today.
This is very good because it comes out of our bubble as an actor. Once we say “Action!”Everyone has eyes on the screens. We can think that this is up to us, but in reality we quickly realize that not at all, we are not in the spotlight at all. Operators are watching the light, the frames are watching the frame, the sound engineers watch the sound … it allows you to expand the point of view and get the project as an actor.
Source: Allocine
Rose James is a Gossipify movie and series reviewer known for her in-depth analysis and unique perspective on the latest releases. With a background in film studies, she provides engaging and informative reviews, and keeps readers up to date with industry trends and emerging talents.
