After Julie (Chapter 12), why is the sentimental value, the new Joachim Trier, is very different?

After Julie (Chapter 12), why is the sentimental value, the new Joachim Trier, is very different?

What are you talking about?

Agnes and Nora see their father’s land after many years of absence. Famous director, he offers Nora, a theatrical actor to play in the following film, but he refuses to be distrustful. He then offered a role to the young Hollywood star, restored the painful family memories.

This is one of the most expected films in film movies! (See all the most expected films here) Alpha, as well as the bill this Wednesday (New Julia Ducurnu, the winner of Palme d’OR), here is the new Joachim Trier, the filmmaker, who is also among the most popular viewers.

Four years later, Julie Chapter 12 (more than 220,000 in France), here is her new feature film, which is as a continuity of singular and consistent filmography and at the same time surprises her differences with Julia (chapter 12).

Stellan skarsgaard and he’s a fan of

Why is the sentimental meaning different from Julie in Chapter 12? We approached the question with Joachim himself Trier, for a few hours to get the film at the Gala session. The director did not try to reproduce a successful recipe and explain it to our microphone.

This is a challenge for making a movie theater. I have a privilege to work freely. I have the final cut. I have manufacturers who invest in what I am and what I want to express with my team. No one tells me: you are going to make a vampire movie to succeed, or something like that! I’m doing a movie theater that is personal to me and it’s a great privilege. This is the privilege of n ° 1! What should I do in this space in my life? “

Eskil Vogt and Joachim Trier

Eskil Vogt and Joachim Trier

He continues: “I feel responsible for trying to talk about what I feel now. There are people who write books or make records. They write or sing about what they feel at this time of life. This is what we express the best. So we did. We spent two months in a writing room Eskil vogt (Joachim Trier’s Faithful Casesarist, Editor’s Note)And consider the views. And has an external point of view.

I feel responsible for trying to talk about what I am currently feeling

I try to understand what we are feeling. And that family story came like that. (…) We felt that I had to dig deeper. In our part of our planet, it is a matter of life: the insecurity of creatures and families, the love stories, and the destruction of loneliness that many people feel … Even if life is good, it is difficult to find its place. This film talks about it in the family. “

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The most difficult movie in Joachim in Trier’s filmography?

The sentimental meaning is Joachim Trier’s 6th Feature Film Feature Films after New Dise, Oslo on August 31 (recently released in theaters), at home, thelma and Julie Chapter 12.

Can we say that the sentimental value is the closest and most complex film of these 6 films? Joachim was approaching the subject.

Creativity is a bit accidental to me. You go somewhere and end there! That’s how it happens. Thank you for a compliment, for telling me that it seems more difficult for you. Talking about the affected family, where suffering is unconsciously moved from one generation to another, is what every family has in part. This is something of a person.

If my father had become, I changed my wish to do something

And I had two children from my last movie. My father would be my desire to do something about these issues that cannot be explained by the subjects around communication. Then, as I am a director, I wanted to ask the family questions as an artistic space.

I wanted to do something that consoles

There is another language. My youngest daughter is one year old. He can’t talk yet, but he dances, he sings, moves, he communicates. Artists try to reach this other language that is not formed in words. I think in the family, it’s interesting: How to take a way to a priority talk? And when you dance, you walk to someone else’s feet, you are! Words tie power structures, polarization, etc., I wanted to do something that consoles. So art finds its place in it. “

It with Fanning and Stellan Skarsgård share the most important memories of the Cannes Film Festival. They are on both sentimental value posters, Joachim Trier on August 20 in the cinema.

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Interview at the Cannes Festival 2025


Source: Allocine

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