This is one of the most brilliant opening scenes in the cinema: 16 years ago, he didn’t give us breathing for 20 minutes

On August 19, 2009, as Quentin Tarantino’s fan, you really remember the day you have a day in your favorite cinema to discover intellectual bastards. Comfortably mounted on a soft soft chair, you wait for the fever to start with the feature film, which you will be looking for in the Knoxville Native New Opus.

At that time, no one was planned to have the shutter that Tarantino was going to give us on the opening stage. Normally, blockbusters begin to explosive and in a very rhythmic sequence to allow the viewer to immediately insert them into the bath and attract his attention.

A masterful opening

Tarantino chooses the opposite option. Blackfall reveals a beautiful corner of the French countryside. The atmosphere is soft and rural. We can even feel that the wind pushes us to the corner of the neck.

At the distance, the man cuts Wood, and the screen appears on the screen: 1941. The woman expands the laundry, and then sees the car from the German army, accompanied by 2 motorcycles. The man plants his own tree branch and commands the children to return and then close the door.

With a few shots, Tarantino raises a tension that turns the viewer back. It shows a man who cuts wood dresses in wood, but we are far from the atmosphere of Charles Ingals, in the small house of the field. In this first seconds, the tone was immediately instituted.

The car arrives and Colonel JS Hans Landa comes to Perier Lapadit. The tone is very sincere and nothing indicates what will happen later. These two characters represent two actors who were then intended to have a great career, Christoph Walt and Dennis Meinchet.

One of the daughters of Lapaditis is also performed by some Leah Seidox. Tarantino has the talent to find talent and intellectual bastards is no exception. During the discussion between the Landa and the Dairy Operator, we understand that the family hides the Jews in their basement.

Brilliant staging

If the colonel finds this, it is the end for everyone. The director shows thanks to a brilliant visual idea, a vertical trip that is slowly on the floor on the floor. The camera allows us to see the hidden people, holding the breath so as not to fix it.

Tarantino silently arranges his canvas during this sequence, shaping all its tensions inspired by the hitchcock concept “Bomb under the table”. The viewer knows something that the characters neglect (or declare neglect), which creates extreme dramatic tension. We know that it will explode, but we do not know when and how not, and we are stuck in our headquarters.

Within 20 minutes, the Landa kitchen lapadite, which lost it to the means of transferring to French in English, gradually forced it to lose its remedies. A German soldier, under his friendly and Giovanni air, hides a manipulated, icy and cruel person. Tarantino published it with a polite and favorable attitude to better training in his story.

In the beginning, the director needs time to install a wide frame until a little tight; Thus, the viewer gradually feels trapped as a Lapadite character, which is found to be woven in the spider web. Intellectically, Tarantino isolated to the public and the farmer in a bucoleal environment (country farm), which becomes terrible and oppressive.

Tarantino, words of virtuoso

This sequence of writing and erection is definitely one of the best written by Tarantino. Long, detailed, rhythmic and polyglot dialogue (French, English, German), we drink these words like a serum.

Each line is used to digs and increase tension. Landa uses language mastery as a weapon, controls the conversation and puts it in English (which is also a choice to identify what hidden Jews do not understand). Bright!

The sequence also explores the idea that monsters are not always noisy or grotesque; Sometimes they are polite, cultivated, well -dressed and impeccably shaved. By writing this bad character in this way, Tarantino gets the wrong feet. No one was expecting such a terribly loving Colonel GSC.

In 2015, during the comic cone de san Diego, Tarantino also revealed that this sequence was his favorite: “I think my favorite scene that I wrote is in the beginning of the French farm in inglourious basterds.”Tarantino revealed. “This is my best movie”He also ordered the micro of the podkast Tarantino Church.

Thanks to its performance, Christoph Waltz will win the Oscar for the best actor in 2010. His colonel Hans Landa will bring this character to this character as a legend, and this scene will also remain in the memory of the engraved viewer forever.