“Explosive, brilliant and annoying cocktail”: noted that 5 to 4.2 is a film that is absolutely visible this week!

With a jury prize at the last Cannes Film Festival, sirāt d’Aóliver laxe came out this week in our dark rooms. This hypnosive road film, led by Sergi Lopez, was very well received by the French press: from 5 to average from 4.2, this is the best film of the week.

What are you talking about?

In the heart of the South Morocco Mountains, Lewis, accompanied by his son Esteban, is looking for his older daughter who disappeared. They take care of a group leading to another party in the wilderness. They are sinking into the huge sand mirror burns, which opposes their borders.

What does the press thinks:

According to the group:

“Road film with strange and mysterious fragrances, a movie gesture that has become so rarely because it’s all more valuable.” By Olivier Bombarda – 5/5

According to Cinemateaser:

“The spiritual delirium that seeks light in the darkness or in a political parable, in a world of conflict that spends nothing, nor anyone, sir. It’s all at once. But it’s primarily shocking.” Perrine Quennesson – 5/5

According to him:

“This film does not look good at the heart of nature, it lives.” By François Delbeck – 5/5

According to Le Parisien:

“The young film director has a successful film about the crazy originality that leaves the audience as a dazzling and devilish chair, which is very difficult to hang because music and explosive shocks blow up the body and soul …” 5/5

According to the liberation:

“Sir Litt is a hallucinated and charming road film to the end.” Try Jimmy Batista – 5/5

According to Critikat.com:

“This is the logic of the film that gives it a hit rhythm and its tragic power: starting from the impulse, and then drifting the dynamics and anger.” Pierre -Jean Delvolve – 5/5

First of all:

“The story fits when you are just going to maintain a clear line so as not to be able to equate the equilibrium and stop. Sirāt refers to the disenchanted cinema at the end of the sixties -Easy Rider, Macadam in two lines, Zabriskie Point … … ” 4/5

According to Cahiers du Cinéma:

“This is a stupid theoretical project of the film: the empathetic commotion is equivalent to a drop. Élie raufaste – 1/5