https://rollingstone.com.br/cinema/missurando-grafite-e-hyp-hop-e-volto-te-buscar-e-destaque-no-animage-2025/

https://rollingstone.com.br/cinema/missurando-grafite-e-hyp-hop-e-volto-te-buscar-e-destaque-no-animage-2025/

Short, which mixes 2D, 3D and Live -action animations is in the competitive show of the 15th edition of Animage – Pernambuco International Animation Festival

THE Animage – Pernambuco International Animation Festival announced the nominees at the competitive show of their 15th edition, which takes place from October 7 to 12, in Recife, and among the highlights is the short film I’ll be back to get youwhich mixes 2D, 3D and live-action animations to tell a story about friendship, graffiti and hip-hop.

In the movie, directed by Roger Bravo and produced by the mutual, Murile He is a boy from the east of São Paulo, who finds in graffiti a way to transform his reality. Next to your inseparable friend, Lucinhashe portrays his memories in an animated diary, also recording the colors, poetry, maturity and strength of his experiences, especially involving hip hop.

“I am especially touched with the short I come back to get you, which combines different animation techniques to create a visual diary in dialogue with graffiti and hip hop from São Paulo. More than an exercise of memory, the film speaks of belonging and invisible cultural struggles, revealing that urban art is not only aesthetic, but also a powerful force of identity and transformation.”highlights Gutiedirector of Animage.

In 2025, Animage broke a historic record by receiving more than 2,300 registrations from 112 countries for its competitive show. The full program-free and distributed among competitive, special exhibitions, feature films, masterclasses and chats-will be released in September. Until then, the exhibition of I’ll be back to get you It already signals the diversity and originality that mark the trajectory of the festival.

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Graduated in journalism from São Judas University, in São Paulo, Henrique Nascimento It started as an intern at Veja São Paulo and went through vehicles such as SBT, EXCOOINE, YAHOO! Brazil and UOL before becoming coordinator of the Film Center of Editora Profile, which includes Cinebuzz, Rolling Stone Brazil and Contigo.


Source: Rollingstone

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