Clint Eastwood’s career is such that he will charge him as one of the main filmmakers in the history of cinema, according to his idols John Ford, Don Siegel and Sergio Leone. And on the films of his filmmakers, Eastwood respects a few rules of letter, especially on which he is trying not to be offended:
In the 14th of the magazine How Released in February 1978 (and is recently quoted Slash film), Clint Eastwood is confident:
“Don’t offend their intellect”
“I think it should participate in all the plans, at all levels. I transfer to what I guess to know where this story is, but I do not say much to them, not to offend their intelligence.
This choice to leave a share of public interpretation about the scenes found by him is the opposite of what we see in the current American main cinema. So far a history or current situation is often summarized by one of the protagonists on the screen, which mainly ends the sentence. We have all heard that two characters have a dialogue that remembers where the action is, for example:
“- You say that if you can’t keep these hostages in less than ten minutes …
– … they will die. “
Such explanatory scenes are prohibited from Clint Eastwood movie if they do not have “Plus-cost” As he explained, always How ::
“Is the Audience Receipt Top”
“I hate the scenes where you have stopped where we are sitting and where we explain to the public what happened so far because it is not sufficiently intelligent to understand. It is a high level of audience.
“This is really done deliberately”He recognizes the magazine. “The public is much more interesting to write with you. In a man of high lowlands you can imagine a few ends. At the end of Jossi Wales, who knows what will happen?
Source: Allocine

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