The film wowed Sundance audiences earlier this year and hit theaters at the end of August.
A cinephile with a card does not forget the last sentence of the hottest the best, when Jack Lemmon reveals himself to be a man to Joe E. Brown and the eternal Big Mouth tells him, “No one is perfect.” The phrase became emblematic of the cinema of the great Billy Wilder. at the end of mars oneFaced with what seems an insurmountable difficulty, the father, happy to have found his family, says something like: “We will find a way”. Finding a way is in the life vocation of the Brazilians, despite the difficulties. With affection, everything becomes possible. mars one!
The boy and the football
It all started with a director on the hunt for images Gabriel Martins. A boy, on a football field, looking at the sky. It seems little to give life to such a rich and exciting film, but it is so. The boy who tries a career in football, the father and the mother, the sister. They grew up: the story and the script.
In the background, at the very beginning, the election of Jair Bolsonaro. mars one it premiered on Thursday 25 in Brazilian cinemas, after taking part in Sundance festivals in January and Toulouse festivals in March and April. From the debate at the Brasilia Festival, when the journalist raised the issue publicly, there was already talk of it mars one as a candidate from Brazil for a place in the 2023 Oscar for Best International Film.
It counts in the world
Minas Gerais-based Filmes de Plástico company has placed Contagem, in the metropolitan region of Belo Horizonte, on the world cinema map. The money is scarce, the creativity is immense. From the warm welcome to mars one at Sundance, the idea was to get to the rooms early.
“We wanted the film to come out before the electoral process escalated. Soon we won’t be talking about anything else in Brazil. The polarization risks stopping everything. August 25 seemed like the ideal date,” explains producer Thiago Macêdo Correia. . In Gramado there was a lot of talk about the humor of the film. But it’s not a ripped comedy. Maybe a “drama”. The melodramatic element is very strong.
There were people crying – a lot of people – at the end of the official presentation of the film at the festival. “It exceeded expectations. It is a film about dreams and ours was supposed to bring the film to Gramado. We had already chosen the premiere date even before we knew it. mars one it would be in the selection, “explains the writer-director.” Family stories can be universal and that’s our way of telling a story, with different characters and a powerful family, “adds Martins.
In short: the family is black, peripheral. The father, a former alcoholic, works as a doorman in an upper-middle-class building; the mother is a housewife and she, the victim of a joke, she begins to behave as if she has lost the axis. The daughter is entering into a relationship that is not the one her parents dream of and the son – the boy – is divided.
The desire to be a football star – on the Cruzeiro! – is from his father, not from Deivinho. His dream is to become an astrophysicist, to embark on a NASA-il program mars one – which promises to lead the earthlings to the so-called Red Planet. What’s the possibility of that happening with a Brazilian and peripheral guy? “The key to the film is empathy and the power comes from the possibility of identification, which we have already tested with audiences in Sundance, Toulouse and Gramado. I love Iranian cinema, I know the suburbs of different cities and countries through cinema and, despite the enormous cultural differences, I can understand and identify with these characters who are distant only from their way of seeing things “.
It is Gabriel’s first solo feature film, after that In the heart of the worldwhat he did with Maurílio Martins. Attributes empathy of mars one to the script itself – “It’s made up of a lot of details that solidly build the family story, but it wouldn’t be the same without our cast. The actors were very intelligent in how they communicated emotions.”
In a party marked by suffering mothers, missing children or sworn to death – in The motherby Cristiano Burlan, e alien nights -, the affection that flows from it mars one, hope, has led many people to cheer for Carlos Francisco and Rejane Vieira, Wellington and Tércia. Neither of them won Kikito, but they will remain in the memory of the public who will see the Minas Gerais feature film. Cícero Luca and Camilla Damião, who play the brothers, are no less admirable. What if the movie really went to the Oscars? “We will find a way,” says the producer.
Source: Terra
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