do not worry dear It was the most talked about film at the Venice Film Festival, thanks to many controversies and rumors, including the idea that there was an affair between director Olvia Wilde and star Florence Pugh.
But do not worry dear Cinematographer Matthew Libatik denies reports of personal drama on the set of Wilde’s new thriller. He says the rumors were “completely false” based on what he witnessed, sharing his thoughts during a new episode of the series. the hollywood reporteryea behind the screen podcast.
“It was probably the most harmonious setting I’ve ever seen in my life,” says Libatique, a two-time Oscar nominee. a star was born s black swan. “Olivia put together a team that believed in her and everyone on set believed in her. … When I hear there are rumors on set, I deny it. It was nothing obvious. ”
The cinematographer points out that if there was any fuss, it was after he left the project because he never saw anything.
“Whatever happens, it happened after I left and started doing something,” says Libatik. “I never witnessed anything and felt nothing. You know, you get the feeling that something might be going on, and I didn’t feel anything.”
new line do not worry dear, which just premiered at the Venice Film Festival and opens September 23 in North America, stars Florence Pugh and Harry Styles as a happy couple living in Victoria, a similar mid-century town to Palm Springs, which is not quite what it seems. . It also stars Wilde, Gemma Chan, Kiki Lane and Chris Pine.
time behind the screen In the interview, Libatique says Wilde has “something special” as a director. “He is very visual and open and likes to take a lot of risks.”
“He could do anything,” says Pugh.
He also talks about the movies that influenced his appearance. do not worry dearbetween them, Mad Max: Fury Road For the action sequence and own work. black swan. He discusses the filming of Victor’s colorful city, an “idyllic world turned upside down”, as well as the Busby Berkeley-inspired black-and-white sequences and the film’s climactic action sequences.
You can listen to the full podcast here.
Source: Hollywood Reporter
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