A guest at the 15th Strasbourg European Fantasy Film Festival, filmmaker Christophe Gans has issued a scathing red card on the state of French filmmaking, blaming “tremendous laziness”…
Loud, always passionate and exciting, Christoph Gans is also known for his honesty. The creator of the late Starfix magazine, which feeds heavily on genre cinema, revealed to the general public with his first film Crying Freeman, who until Sunday is the guest of honor at the 15th edition of the Strasbourg European Fantasy Film Festival (FEFFS).
in the given interview TeleramaHe again criticized the state of production of the hexagon, according to him, the culprit “Immense Laziness”. Words that have the energy of an uppercut.
“Tremendous laziness!”
“Why isn’t John Carpenter or Dario Argento in France?” asks journalist Nicolas Didier. “This is a strictly industrial problem related to the structure of French cinema. Now it’s mostly a product of financiers and producers who are mere hatchets: they go back and forth between TV channels, the distribution circuit and the bank. . The less original, the more like something that might work, the better! What has struck me over the years is their immense laziness.”
Gans believes that the long-accused New Wave cinema is going to court. “Destroy Great French Commercial Cinema and French Quality”. It drives the point home: “The curse of French cinema, for all the love I have for Louis de Funes, is Gendarme de Saint-Tropez.
In 1964, it’s the jackpot! A group of comedians on the beach, filming with a color scope and fifteen million viewers at sunset. The horizon, from there, was to stunt, remake, and repeat Jean Giraud’s film. This is the main reason why we no longer have quality cinema that plays on cultural heritage.”
If he applauds the quality of a very French work like Grave, “Very strange and very unique”He admits that his recent favorites in genre cinema are Across the Atlantic: Midsommar, a “piece of art”; It Follows, by David Robert Mitchell, which dates back to 2014. Or the no less excellent magician Robert Eggers. Jobs that are “Always produced on a simple premise, it’s a fusion of genre and independent film audiences.”
Source: allocine
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