What Pauline is not telling you: Ophelia Colby is suspected of killing her husband in a France 2 legal drama

Რ About?

Her ex-husband has just died, falling from the top of an improvised scaffolding in the garden. Pauline was there. It was he who called the ambulance, but a little late and so awkwardly … everything blames him. And every time he tries to justify himself, he sinks a little deeper … Even an eight-year-old boy is convinced he is guilty.

Judicial mechanism created, social services involved. He faces hypocrisy, and then the anger and ruthlessness of his sister-in-law, he has no words to defend himself, he is fragile, unpredictable. She is a woman broken by years of disgust and minor daily humiliation. The investigating judge – almost as fragile as he is in the institution – quickly sees the motive there. He will not give up.

Whatever Pauline does not tell you – 4 x 52 minutes

On Wednesday, March 9 and 16, 2022 at France 2

Who is he with?

In four episodes of this legal drama (The Man I Condemned) he takes on the title role, the role of Pauline, a weary mother who blames everything on the death of her husband, whom she intended to leave. His sympathies, played by Pierre Ardit (Les Choses Humaines) and Helen Alexandrid (owners), also do not want to show sympathy for him, unlike the milk he plays. Guillaume Market (games of influence).

In court, a young investigator playing (H24) tries to prove his guilt, backed by the insidious Major of the Gendarmerie, played by Sylvie Testud (Fugeiza), and a witness camped by Kevin Azis (Frères d’iar). Pauline unexpected support.

Is it worth a look?

To create this legal drama, Antoine Lacombelez (who, along with Kevin Azai and Guillaume Marquez, discovers two actors from the brilliant mini-series Laetitia, written in 2019 with Jean-Xavier de Lestrad) and Julien Capron (SKAM France) focuses on a woman who from the first minutes we hear that she is in an abusive relationship with a narcissistic prostitute who has been humiliating and demeaning her psychologically for years.

Based on these observations, the series tries to cast doubt on his innocence after the discovery of the latter’s useless body: senseless behavior, stubborn silence, hesitation, aggression … everything is done to make his intentions doubt the prism of Morgan Sabal. , A newly graduated investigator, decided to maintain his independence in the environment whose codes he discovered, and whose codes Pauline represented in the first legal case.

The sober and effective directorial series by Rodolfo Tissot (The Last Wave) depicts all the obstacles that Pauline faces, insulted from all sides when her husband dies, which she claims is an accidental fall. From his bourgeois sister-in-law, who patronizes him and their sugary lawyer, to his online hatred, and even to his eldest son, who doubts his sincerity, Pauline experiences both psychological destruction and structural misogyny in the face of her dead husband. , Presented as a charismatic and successful person.

In contrast, Morhane Sabal serves as the viewer’s entrance view, reflecting both our doubts and our questions about Pauline’s character. Despite the compassion he inspires, can he be guilty? Relentlessly wanting to instruct Pauline in his favor or against him under the Code of Criminal Procedure (in other words, to seek both evidence of innocence as well as evidence of guilt), the investigator tries to keep the front line vague, refusing friendships and politics. The alliances offered to him by the chiefs.

But what value does a young black judge have at the beginning of his career who refuses to compromise on himself? Like Pauline, Morgan’s isolation and justice will cost him dearly. Despite a somewhat lazy basilisk development and conclusion deus ex car Easy to understand, the series finds its strength in this parallel struggle, led by Pauline and Morgan in a judicial system, both condemned in the same structural misogyny as the other side. Among the sleek parties of all the actors, Gray’s series is a real revelation and gives great depth to her character.

In a recent thriller, I Killed My Husband (more or less successful) and Manipulations (Surprising and Addictive) aired on 13ème Rue and France 2, and a particularly heavy-duty TV movie L’Emprise TF1 (dated 2014). Hard to see Whatever Pauline is not telling you Another thing is the repetition of mechanics that transcends women victims of psychological violence. But, given the number of feminicides in 2021, the explosion in domestic violence complaints, and their ever-increasing number at the beginning of the year, repeating this point still seems just as relevant in the fiction.