Since then everything and nothing has changed for Yeon Sang-ho Train to Busan, his 2016 horror that put the ‘crazy’ in ‘locomotive’. The entire audience was on board for this wacky South Korean zombie adventure, racing to its destination shouting cutting social commentary and tender parent-child emotions along the way. Seven years later, the writer-director appears at first glance to have turned the same script into dystopian sci-fi. YOUNG_myself, set nearly 200 years in the future, centers on two estranged parents trying to mend their relationship, amidst train explosions in a world filled with brutal class divisions. Sound familiar?
Take a closer look, however, and YOUNG_myself is more ambitious than anything I’ve ever attempted before, build a world with someone’s trust with a series of South Korean blockbusters (sequel to Busan peninsula and the country’s first superhero film, psychokinesis) now under the belt. Artificial intelligence, climate change and humanity’s indestructible habit of unleashing wars are just some of the burning issues that the film boldly tackles, resulting in a Elysium–I say he swings over fences and strikes more times than he misses.
It’s intimate and emotional, if not quite perfect.
Don’t let the film’s epic premise fool you. The intercolonial war mentioned in his introduction may allude to action-spectacle, but it remains essentially a background. In exchange, YOUNG_myself takes place mostly in laboratories and the metaverse, as terminally ill scientist Seo-hyun (the late South Korean superstar Kang Soo-yeon, in her final role) races against time to resurrect her mother, the legendary mercenary Yoon Jung-e. , in the form of a combat robot.
It’s intimate and emotional, if not quite perfect: the pacing feels awkward at times, with action scenes interspersed with offbeat moments. It’s also hard to shake off the feeling that a bigger story isn’t being told here; that the public can enjoy Watching the war that threatens to tear humanity apart, instead of just having to hear about it.
But former car–The ethical questions of style and the film’s stunning fantasy of the abandoned cities of Tomorrowland finally make it worth watching, full of feeling. If you are not moved by the emotion in the final act between Seo-hyun and Yoon Jung-e, you may be a robotic clone similar to Seo-hyun’s test subjects.
Source: EmpireOnline
Camila Luna is a writer at Gossipify, where she covers the latest movies and television series. With a passion for all things entertainment, Camila brings her unique perspective to her writing and offers readers an inside look at the industry. Camila is a graduate from the University of California, Los Angeles (UCLA) with a degree in English and is also a avid movie watcher.
