I’m sure most of us still remember the gut reaction we had to the opening sequences of Steven Spielberg’s masterful WWII drama. Save Private Ryan. Once the film is set in its narrative setting, Spielberg immerses us in the D-Day invasion of Normandy beaches and we begin to feel part of the battalion following Tom Hanks and his soldiers into battle. It’s engaging and devastating … and it had a similar effect on the men who filmed the footage for us to see on the big screen later.
We have discussed at Gossipify over the years Save Private Ryan at the same time Steven Spieberg’s Best Film as much as Matt Damon’s Best Movie. . It is more difficult to classify it in a list of the best films of Tom Hanks because it has been in so many cool classics. Moving on from the ReelBlend podcast to talk about his new movie, ElvisHowever, Hanks recalled the shocking moment he realized this Save Private Ryan It would have been something extraordinary. As he recalled:
It was shot geographically, in real time. We started with the landing craft. Then we went to the beach. So I was in the water pulling, pulling this big guy, pulling him ashore. So we were at the breakwater. So we were behind the gates of Belgium. We then made our way. We’ve been on that beach for, I’ll say, on the beach itself for, I’ll say, three weeks. And the other guys, Vin (Diesel) and Eddie (Burns) and Adam (Goldberg) … weren’t shooting yet until we were in the shale. And in the middle of the first day, I looked, uh, the shot was an amputated actor, far away and in slow motion, looking around, raising his arm and staring straight ahead. So I went up the stairs. I walked over to where we were having lunch or whatever, and I was like, ‘Guys. Genre. Keep your hats, man. You are not prepared for what is happening out there on the beach. She is crazy! ‘
I wasn’t exaggerating. The beach scene inside Save Private Ryan it is disorienting and terrifying in the intense way in which it immerses the audience in the war, reminding us every moment that they were ordinary men unprepared for the carnage. Veterans talked about the streak, calling it one of The most realistic war movies ever made. . And Hanks attributes this to the approach his frequent collaborator Steven Spielberg brings to the material. While discussing Spielberg’s trial, Hanks figured out how to relate it to Austin Butler’s work as Elvis Presley in the new film. Elvis, which Baz Luhrmann shot disorderly. Hank explained:
Steven doesn’t do a lot of exploration or anything like that. He understands it. He has every piece of equipment on the truck you can imagine. And the people you can literally say three words to mean three pages of things to communicate. In a movie like Elvis, Austin had to shoot part of the movie with me there with him. And then he had to find the same costumes, the same sets, the same lighting for my absence. Because life intervened and I said, ‘I can’t stay here for 19 months, Baz, while you find out!’ (laughs)… It was difficult for them. And what could be more difficult, you know? Pulling geographically, so you are equally tired with every step? Or do you have to pull a little and come back later?
You can enjoy the full interview with Tom Hanks on the ReelBlend podcast as part of this week’s program.
And now you can go to the movies to see Tom Hanks as Colonel Tom Parker alongside Austin Butler’s Elvis in Elvis. We gave Elvis a solid opinion on the website, but pales in comparison to the praise the Presley family gave the film . This is really all Hanks and Butler (and Luhrmann) needed to hear. But judge for yourself, because Elvis is in theaters right now!
Source: Cinemablend
Benjamin Smith is a fashion journalist and author at Gossipify, known for his coverage of the latest fashion trends and industry insights. He writes about clothing, shoes, accessories, and runway shows, providing in-depth analysis and unique perspectives. He’s respected for his ability to spot emerging designers and trends, and for providing practical fashion advice to readers.
