Music authors are dissatisfied with changes in payments in the category, which resulted in a reduction of almost R$1 billion in 12 months
Four of the five composers nominated for the Grammy 2025 Songwriter of the Year will not attend a party hosted by Spotify specifically for this class. Three of them confirmed that the reason for the absence is the changes promoted by the streaming platform in payments to professionals in the area.
They will be outside the event Jessi Alexander (who composed “Ain’t No Love in Oklahoma”from Luke Combsfor example), Amy Allen (author of “Espresso”from Sabrina Carpenter), Jessie Jo Dillon (responsible for “10,000 Hours”from Dan + Shay) and Raye (who conceived his own material and wrote with Beyonce). Edgar Barrerathe fifth name in the dispute, was the only one not to speak out.
Amy Allen and Jesse Jo Dillon told billboard that changes to Spotify’s compensation for songwriters led to the decision, while Raye restricted herself to stating that she is an advocate for songwriters’ rights. In 2024, the company also included audiobooks and started sharing revenue from reproductions also through book licensing. It is estimated that the measure will cause a reduction in US$150 million (more than R$900 million at the current rate) in paying music creators in the first 12 months.
THE billboardDillon states:
“After some thought, I could not in good conscience support this initiative, given their approach to pooling royalties. It’s great to be honored, but it’s better for me and my entire songwriting community to be paid fairly for our art. There are no songs without composers.”
So far, Spotify has not commented. The pre-Grammy event held by the platform aims to celebrate the nominees for the category, which started in 2023 to enhance the class. In another edition of the party, the competitors took to the stage and sang songs to the audience, mostly made up of professional colleagues.
What Spotify says about the changes
At the time it applied the payment change, a Spotify representative claimed the changes were “consistent” in relation to other platforms and added: “we are paying in different ways based on the terms agreed by streaming services and publishers”. In fact, other companies like Apple and Amazon promote this type of split payment for music and audiobook authors, but as Spotify is the most used streaming, the impact proved to be enormous.
The platform founded in Sweden — and responsible for recording record profits last year — still claims to be paying more to categories in 2024 than it paid in 2023. A report produced by the company itself claims to have distributed almost US$4 billion to publishers, professionals in area and entities in the last two years.
Grammys 2025
The 2025 edition of the Grammys is scheduled to take place on February 2nd, in Los Angeles, in the United States. Billie Eilish, Taylor Swift, Chappell Roan, Sabrina Carpenter, Charli XCX and Beyonce are among those nominated. Check out the list of main categories:
Song of the year
- Shaboozey – “A Bar Song (Tipsy)”
- Billie Eilish – “Birds of a Feather”
- Lady Gaga and Bruno Mars – “Die With a Smile”
- Taylor Swift featuring Post Malone – “Fortnight”
- Chappell Roan – “Good Luck, Babe!”
- Kendrick Lamar – “Not Like Us”
- Sabrina Carpenter – “Please Please Please”
- Beyoncé – “Texas Hold ‘Em”
Revelation of the year
- Benson Boone
- Sabrina Carpenter
- Doechii
- Khruangbin
- RAYE
- Chappell Roan
- Shaboozey
- Teddy Swims
Best pop solo performance
- “Bodyguard” — Beyoncé
- “Espresso” — Sabrina Carpenter
- “Apple” — Charli XCX
- “Birds of a Feather” — Billie Eilish
- “Good Luck, Babe!” —Chappell Roan
Best pop solo or group performance
- “Us” — Gracie Abrams Featuring Taylor Swift
- “Levii’s Jeans” — Beyoncé Featuring Post Malone
- “Guess” — Charli XCX & Billie Eilish
- “The Boy Is Mine” — Ariana Grande, Brandy & Monica
- “Die With a Smile” — Lady Gaga & Bruno Mars
Best country album
- Beyoncé, “Cowboy Carter”
- Post Malone, “F-1 Trillion”
- Kacey Musgraves, “Deeper Well”
- Chris Stapleton, “Higher”
- Lainey Wilson, “Whirlwind”
Best Country Solo Performance
- Beyoncé, “16 Carriages”
- Chris Stapleton, “It Takes a Woman”
- Jelly Roll, “I Am Not Okay”
- Kacey Musgraves, “The Architect”
- Shaboozey, “A Bar Song (Tipsy)”
Best dance/electronic recording
- “Make You Mine” – Madison Beer
- “Von Dutch” – Charli XCX
- “L’Amour De Ma Vie [Over Now Extended Edit]” – Billie Eilish
- “Yes, And?” – Ariana Grande
- “Got Me Started” – Troye Sivan
Best Latin pop album
- Anitta – Funk Generation
- Luis Fonsi – El Viaje
- Kany García – García
- Shakira – Las Mujeres Ya No Lorran
- Kali Uchis – Orchids
Best rock album
- “Happiness Bastards” — The Black Crowes
- “Romance” — Fontaines DC
- “Saviors” — Green Day
- “TANGK” — Idles
- “Dark Matter” — Pearl Jam
- “Hackney Diamonds” — The Rolling Stones
- “No Name” — Jack White
Best rock performance
- The Beatles – “Now and Then”
- The Black Keys – “Beautiful People (Stay High)”
- Green Day – “The American Dream Is Killing Me”
- Idles – “Gift Horse”
- Pearl Jam – “Dark Matter”
- St. Vincent – “Broken Man”
Best R&B album
- Chris Brown – “11:11 (Deluxe)”
- Lalah Hathaway – “Vantablack”
- Muni Long – “Revenge”
- Lucky Daye – “Algorithm”
- Usher – “Coming Home”
Best R&B performance
- “Guidance” — Jhené Aiko
- “Residuals” — Chris Brown
- “Here We Go (Uh Oh)” — Coco Jones
- “Made For Me (Live On BET)” — Muni Long
- “Saturn” — SZA
Best Alternative Music Performance
- “Neon Pill” — Cage the Elephant
- “Song of the Lake” — Nick Cave & the Bad Seeds
- “Starburster” — Fontaines DC
- “Bye Bye” — Kim Gordon
- “Flea” — St. Vincent
Best rap album
- Common & Pete Rock – “The Auditorium Vol. 1”
- Doechii – “Alligator Bites Never Heal”
- Eminem – “The Death of Slim Shady (Coup de Grâce)”
- Future & Metro Boomin – “We Don’t Trust You”
- J. Cole – “Might Delete Later”
Best rap performance
- Cardi B – “Enough (Miami)”
- Common & Pete Rock Featuring Posdnuos – “When the Sun Shines Again”
- Doechii -“Nissan Altima”
- Eminem – “Houdini”
- Future, Metro Boomin & Kendrick Lamar – “Like That”
- Glorilla – “Yeah Glo!”
- Kendrick Lamar – “Not Like Us”
Best melodic rap performance
- “Kehlani” — Jordan Adetunji Featuring Kehlani
- “Spaghettii” — Beyoncé Featuring Linda Martell & Shaboozey
- “We Still Don’t Trust You” — Future & Metro Boomin Featuring The Weeknd
- “Big Mama” — Latto
- “3:AM” — Rapsody Featuring Erykah Badu
Best film album
- Hell’s Kitchen
- Merrily We Roll Along
- The Notebook
- The Outsiders
- Suffs
- The Wiz
Source: Rollingstone

Earl Johnson is a music writer at Gossipify, known for his in-depth analysis and unique perspective on the industry. A graduate of USC with a degree in Music, he brings years of experience and passion to his writing. He covers the latest releases and trends, always on the lookout for the next big thing in music.