MusicOolivia Rodrigo breaks the bubble with deafening show at Lollapalooza Brasilperformance on the Budweiser stage marked the singer’s debut at Lollapalooza Brasil, this Friday, 28Por Writing

Olivia Rodrigo made his debut at Brazilian festivals this Friday (28), as one of the main headliners of the Lollapalooza Brasil 2025. The presentation took place on the Budweiser Stage at the Interlagos Race Track in São Paulo and gathered a crowd. The artist’s passage to the country also included a solo show on Wednesday (26), at Couto Pereira Stadium, in Curitiba.

With only two albums released and four years of musical career, Olivia Rodrigo It already occupies one of the highest posts of the current pop. The singer opened the night with “Obsessed “following the structure used in Lollapalooza Chile, with songs like “vampire ““Drivers License ““Bad Idea Right? “ and “good 4 u “. The repertoire of Guts World Tour featured shorter versions of some tracks.

On stage, Olivia alternates between the emotional intensity of the lyrics and an lively and fun attitude. Screams with excitement, talks to the audience, releases profanity and demonstrates comfort in charge of a crowd – a performance that highlights the artist’s maturation without losing the genius essence that made her a global phenomenon.

“I heard that Brazil has one of the best audiences in the world,” he said, repeating what he had already commented in in Curitiba.

The impression, this time, appears to have been confirmed before a crowded and receptive audience-who sang a lot, by the way.

One of the most intense moments of the night happened when Olivia He asked everyone to think of something or someone who irritates them deeply and let out a scream with all their strength. The request came before the most explosive stretch of “All American Bitch “and the result was a deafening shouting. In maximum volume, the audience turned the track into a real collective vent – something that has already become a classic of the artist’s shows. Undoubtedly, it was one of the apexes of the presentation.

Despite the fan base still mostly formed by young girls, what was seen in Interlagos was a large and diverse audience that demonstrates how Olivia broke the initial bubble. Part of this scope comes from the so -called “reportable factor” – its ability to sincerely translate insecurities and youth pressures. In “Teenage Dream “for example, she sings:

“Got Your Whole Life Ahead of You, You’re Only 19 / But I Fear That They Already Got All the Best Parts Of Me / And I’m Sorry That I I CouldN’t Always Be Your Teenage Dream.” It is the kind of verse that opens a real fear, a silent charge, and that many people feel – at 19 or 30.

Even with such specific lyrics about the life of a young girl, the range of music crosses generations. Vulnerability in this case is what connects. The singer talks about growing, comparing herself, failing, trying again – universal feelings, packed by pop melodies. The result is an artist who started in the teenage niche, but today communicates with a much broader audience.

With a new age in sight, the artist already gives signs of aesthetic change. Although the look used in Lollapalooza was not red – color that has frequently appeared in the recent visual identity of the tour – fans noticed subtle references that reinforce the idea that Olivia It is preparing the terrain for a next album. Rumors point out that the third album is already in production, and the aesthetics adopted in the disclosure materials and recent performances can be an indicative of what’s coming.

Another point that marked the presentation was the sound closer and closer to rock. Between distorted guitars, accelerated batteries and shouted vocals, Olivia It incorporates this more punk-pop energy with jumps, grimaces and shouts that connect the show to the aesthetics of the bands that clearly inspire it. The result is a more aggressive, raw and confident performance – and shows that Olivia is not afraid to experiment.