Artists talked to Rolling Stone Brasil about striking meetings, behind -the -scenes moments and what still moves them in music
Big names in Brazilian popular music, of different rhythms and generations, Cryle, Martinho da Vila and Rashid They complete themselves in music that fills them and makes us understand why artists always seek to do their best.
“Sometimes an artist is kind of soft, arrives there [no palco] And he wakes up. If you have a ‘little pain’, ‘little pain’ head, pass, then come back a little stronger, but pass “played Martin in conversation with Rolling Stone Brazil.
In April this year, the trio met on the stage of Tim music festival São Paulo and celebrated the opportunity to sing for thousands of people: “When we had this dream there in Grajaú, I did not imagine that we were going to have the opportunity to sing and even more to live in our art and even more to know so many people”he said Cryle.
To Rashidthe importance of being on stage is the interaction with the public. Comparing music to a friend who gets on the bus and surprises you positively, the rapper believes she should be a company for people:
“So, at the time of the show, it is essential that I am also a companion of the public and have this company of people when it comes to doing the sounds: the up hand, the hand to the side, the hand to the other, the noise … All this is part of our movement, is part of the rap.”he explained.
This affection of the fans, motivates and turns “The fuel that makes the show really fuck, is when the two things converge and the energy actually tunes into”completed Rashid.
What is the essence of being an artist?
What is “being an artist”? For each of the three, the art presented itself differently. Cryle I couldn’t imagine taking her livelihood and even more so, having the opportunity to collaborate with artists such as Ney Matogrosso, Milton Nascimento, Caetano Veloso, Paulinho da Viola, Teresa Cristina, Alcione and many others, who was always a fan.
Rashid also had the opportunity to improve his art by working with giants, including Mano Brownin the song “Ruaterapia”, 2016, which became significant for the rapper for the learnings he obtained when working with leader of Rationals MC’s:
I really received a class that impacted my career a lot from then on. Behavior, writing, composition, production and even fashion, because man dresses well as well. The name of this is again cultural impact “remembered Rashid
As it sang repeatedly in one of its greatest hits, Martinho da Vilain turn, it has always led to its involvement with “slow, slowly” art. At the beginning of his career, he said, the sambista didn’t even feel nervous when entering the stage and became an artist without even thinking about being one.
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Source: Rollingstone
Earl Johnson is a music writer at Gossipify, known for his in-depth analysis and unique perspective on the industry. A graduate of USC with a degree in Music, he brings years of experience and passion to his writing. He covers the latest releases and trends, always on the lookout for the next big thing in music.
