By launching the single false romanticism this Friday, 20, Lara celebrates development and strengthens, in Caras Brazil, the importance of her autoosphere
Increasingly certain of your work and intuition, Lara (26) See with joy the process of evolution in the world of music. With the individual False romanticism Available on Friday 20, the singer is even closer to the release of In the world of the moonYour first album, which arrives in August. For her, time is healing and, in particular, to find confidence in her vulnerability.
In his new work, the artist dives into experiences to show the public a new version. He says that, looking at his career in music, he recalls his insecurity and understands how this is part of his history and brings it to a more vulnerable, sensitive and now self -sufficiency place.
“I have never felt so vulnerable and so confident at the same time, it is the career process of any artist“Lara begins, in an interview with Caras Brasil. “Vulnerability in the creative space of music brings surprising things, it is the closest to the magic I can think. “
In False romanticismFor example, use the mockery to sing on experiences related to love accusations. Despite the theme, Lara says that the song was not inspired by her relationship with the groom, Julinho CasaresAnd it ensures that your range of creative processes is linear or motivated by a unique experience.
In addition to finding her way to the composition, the singer also explains that she learned to trust career decisions. Although it comes from a family linked to art – phase, she is the daughter of the presenter Fausto Silva and the artist Magda ColarHe looked at the world of music with his own perceptions.
“As a woman we almost ask for permission to exist often. Many women I know, especially from 20 to 30 years, are in this process where they are not afraid of the space they occupy, both physically and psychologically. As far as I know nothing, sometimes my intuition knows what to do. This only learns when you will betray a little. “
And it is with this trust and certainty that the artist prepares for the release of his new album, ready to take another career step, without forgetting the importance of the past. Below, Lara provides more details on her new single, her first album and comments on the changes she has experienced since she started her career in 2023. Take a look at the extracts modified by the conversation.
How was it to create the single false love story, mixing the mockery with the sensitivity of the theme?
This song exemplifies my partnership with font very well [Alexandre Fontanetti]who produced the album. I had this song, and it was super down, in my head it was super sad. I only sang with him, put me a guitar and invented it, and I loved it. He highlighted the mockery of the texts. And shows a lot of the influence of Cazuza In my work, this way of writing with this mocking side was one of the things I liked most of its composition. That’s why it is good to work with people you know and have that trust in showing things.
You commented that the song concerns a provocation for those who have many loving accusations and requests. Did you happen to you or did the inspiration come from other experiences?
I don’t have much control over inspiration. Especially in this album, I found myself much more and there are phrases that come to me in my head that I can’t say where exactly comes from. But, you ask yourself now, the memory of a friend of mine who talks about it came to me, so you have to have a connection with that. But inspiration is always a little splash, the things I feel, lives … it always depends. The interesting thing is that, not a place that I have control, it is never a linear thing. I do my best things when I don’t have this very rational side, when it comes from this place of experimentation and improvisation. This is very important for me. The interesting thing is when the creation process surprises you.
You commented that music has the influence of Cazuza (1958-1990). How is it present in your new album?
There are figures that always permeate my work. This song has clearly reminded me, but there are many references that I have and learning every day. Cazuza I remember a lot of his film, the biography. The beginning for me to start doing research on people often does not come from music, I attract me to the musician of other sources. Pop has this very distinct place, it is culture. It is connected to what you write, read and see. I love being able to translate music into all artistic formats.
This single is a heat for your first album, In the world of the moon. Are you anxious for the proximity of the launch of this project?
It is an anxiety mixed with everything together, it is very crazy [risos]. But I approach the stack on the date, for now I can’t wait to organize everything and put everything in the world. It seems that it is not even real when you are about to launch, it is difficult to turn the key. But I have never felt so vulnerable and so confident at the same time, it is the career process of any artist. At the beginning I had no experience, because it is a world completely apart. Although I have people in my family who work with the artistic environment, public life, music is a new thing for me. This is more and more what I am looking for: the feeling I have improved.
You can see this evolution compared to its first version, EP Sparks (2023)?
Now, I feel more confident. My first EP was a totally experimental project, it was the first time that I have published something since then and learned a lot. At the beginning of my career there are many things you need to learn. In the second version, I have a little more familiar with this new world.
At the time of your first release we also spoke and commented how your family was essential for the kick -off. How is this support now, two years later?
My family is always very favorable to everything I wanted to do. But I also feel I have been able to create a sense of trust, without needing the approval of other people so much, not only of my family. One of the most important things of this version is that I am able to listen to my intuition, because they are many people with an idea of ​​what you should be, expectations and advice. It is a maturation to know which to listen and which one. As far as I know nothing, sometimes my intuition knows what to do. This only learns when you will betray a little.
It is very interesting to see this point, especially because it also crosses many women.
As a woman we almost ask for permission to exist many times. We always adapt, and especially in women, rather than in men, we have a sensitivity to the more clear external aspect. Many women I know, especially from 20 to 30 years, we are in this process of not being afraid of the space we occupy, both physically and psychologically. Know that this is. Be more confident in our decisions and not doubt.
In the 2023 interview, you also said that your biggest long -term dream was able to discover and develop more. We can see that this has been conquered!
It’s nice to remember. I was very insecure and is part of my story. Insecurity also gives you an important sensitivity. Compassion is a very powerful thing, not only with others, but with self -compared. If we manage to nourish the sense of not doubting so much, to be critical … nobody is critical for me like myself, I think this is important to do my best in my work, but I learned that I don’t need to be so cruel to myself. This is not efficient for anyone.
You also had to change your relationship with social networks, before your profile was closed. How are you now?
Now I am. It was a slower process than I would like, but I found my way. For example, I love making videos and I have to modify it on my own. I am having a lot of fun. I won’t even make stories every day, because it’s not my natural, if it were, I would do it. And it is an excellent tool for connecting to people. I love listening to good criticisms, impressions. It is very important to hear the opinion of people who are not in the branch, I want to make music to everyone. I am having more fun, not taking me seriously. It was very good, even to connect more with people. I am very grateful to have this tool to thank people.
Taking advantage, we want to leave a space to invite the readers of Caras Brasil to hear your new job.
I wanted to invite everyone to hear. It is a new place, a new exhibition that I am offering. The whole process brought me a lot of healing, he healed me a lot. I developed a lot, especially in the part of the composition, the vocal part. I invite you to immerse yourself in this place that has brought me so much relief and peace. I hope you can do the same for the people who listen. I am very proud of the work that we have done as a team, because music is not created by itself.
See this photo on Instagram
Source: Terra
Earl Johnson is a music writer at Gossipify, known for his in-depth analysis and unique perspective on the industry. A graduate of USC with a degree in Music, he brings years of experience and passion to his writing. He covers the latest releases and trends, always on the lookout for the next big thing in music.
