The 3 tricks that made the Beatles stand out, according to Paul McCartney

The musician believes that the specific characteristics have brought their band to attract more attention than other “competitors” of the 60s

What did the Beatles achieve success? You can’t simply answer this question. In addition to the great artistic talent, the English group worked hard, it arrived at the right time, absorbed the most accurate influences and, why not, they had a little luck – something essential in the life of anyone, because even the elements foreign to their will can favor.

In the opinion of Paul McCartneyThree specific points help to explain the commercial success of their band. Everyone has to do with differentials; Points that made Liverpool of Liverpool stand out among the crowd.

The topic was addressed in an interview of 1990 a Guitarist. See below:

What did the Beatles stand out

1) Choose dark covers

During the development of their skills as composers, the Beatles played songs created by other artists. From the point of view of Paul McCartney, to do with a less obvious repertoire, with unnoticed songs, helped a lot – in addition to performing different traces of their “competitors”, they even left the audience in doubt if those works were them.

“We worked on dark songs with the Beatles. There was also a good reason: all the other bands knew the successes. Everyone knew it “It’s not a shame”. Everyone knew it “Bo Diddley”from Bo Diddley. But not everyone knew it ‘Crack’ Up ‘ [do Bo Diddley]. Almost nobody knows ‘Crack’ Up ‘ Until today – it was just one of its parts I loved. I don’t know how fantastic it is, but I like it. “

According to Paul, the fact that they were less obvious songs even made him and his colleagues to interpret the material in a more vigorous way. Since they were not the “same songs as always”, there was a certain freshness.

“We were looking for the sides B – an intelligent game!” And dark traces of the albums because if we had been involved enough to give them something special, just because we were in love with them, you sang them well. John [Lennon]For example, sung ‘Anna’ [do Arthur Alexander]in the first beatles album. He was dark, the DJs played in night clubs. We brought the album at home and learned songs like this: ‘Three fantastic cats’ [Coasters], ‘Anna’, ‘Thumb’ [Coasters] – Millions of fantastic songs. “

2) Explore the limitation of the equipment

When the Beatles were active in the 1960s, the audio equipment was still very little evolved due to the technology that existed in the period. It was easy to overwhelm and even damage this type of equipment. It proved to be an advantage, since the band has increased the volumes and other checks to naturally obtain a satisfactory amount of distortion, including guitars.

The report begins:

“The machines of that time were easier to damage. You could really overload a sound table. Now it is no longer possible. A brand new table is built for idiots as we trampled on it. We had a big makeup with guitars, like in ‘Ob la di, oba of’. I played the guitar on her, an octave above the bass line. He gave an exceptional sound, like when you have two singers who sing in octaves, strengthening profits. “

So complements:

“We asked them to record the guitars when the counter arrived in red. The recording engineers said it would be horrible, but we loved that sound that was considered a” error “. So we recorded everything in red. These old dishes distorted, bought and suck. Fragile blocked somewhere near the guitarist. You could hear his foot more than some things.”

3) the importance of the bass

Suspects that Paul McCartney underlines the bass as a differential, as it was his main tool in the Beatles. However, his relationship is not wrong: the serious instrument has a gigantic influence on the sound of a rock band, especially when there are soul/r & b influents, as in the case of the Four Four of Liverpool.

Initially, McCartney has bet on simpler lines, anchored to Tonic, a main note that also governs the guitar. Over time, he started trying more, following the popular renditioned line from James JamersonMotown icon which, curiously, remained anonymous for decades, as she was not credited with her work by the label.

Paul Comments:

“I didn’t really want to play the bass, but I started seeing some interesting things. One of the first was in the song ‘Michelle’ [do álbum Rubber Soul]. There is that descendant agreement in the “Words I know you will understand, Michelle”. If I touched the degree of pity [C]Then move on to the sun [G] And then to codify [C] Once again, this really transformed the phrasing. It was there that I realized that Baixo could really change a song. “

The greatest influence of Beatle in this sense was a “rival” – in a good sense. Comment:

“Brian Wilson It proved to be different ways Pet souths [1966]album of Beach guys Very influential for me. If you are in pity and touch – something different from the tonic – create some tension. It’s great. When you finally have pity, it’s like “Ah, thank God it has become pity!” You can create tension with it. I didn’t know it was what I was doing; It simply seemed well. And this started making me much more interested in bass. It was no longer a question of being just a serious vote in the background. “

+++ Read more: the artist who taught Paul McCartney, according to his

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Source: Terra

Earl

Earl Johnson is a music writer at Gossipify, known for his in-depth analysis and unique perspective on the industry. A graduate of USC with a degree in Music, he brings years of experience and passion to his writing. He covers the latest releases and trends, always on the lookout for the next big thing in music.