The records attributed to Blaze Foley and Guy Clark emerged unauthorized and with visibly false covers; The platform removed the contents after the complaint
A new warning on the indiscriminate use of artificial intelligence in music came after the dissemination that AI’s intervals were published in profiles of artists already deceased in Spotify – without any permission of responsible families or stamps.
The best known case involves Blaze FoleyCountry singer killed in 1989 and known by the track “Clay pigeons”. Recently, a new presumed song called “Together” It was added to the artist’s profile on the platform. With a sound far from the original style and a clearly artificial cover, the song raised suspicions among the fans and was studied by the site Media 404.
Craig McDonaldlabel manager Lost art records and the management of the inheritance of Foleyconfirmed that the track was published without his permission: “This is not Blaze. It is far from your style. It seems something done by an artificial intelligence bot, “he said. According to him, the accident compromises the image of the artist and reveals a serious failure in the safety of the streaming platform.
The music was attributed to a company called Syntax errorwho also published similar tracks in the profiles of other artists, such as Guy Clarkwinner of Grammy From The best folk album in 2014 and died two years later. Other traces of the same company have been monitored by DeepFake detection experts, who indicated a high probability of generation from the AI.
THE Spotify He said the music was removed for violating his policy of misleading content and identified the distributor as Sinkcompany belonging to Tiktok. This is not an isolated case: other imaginary bands such as The velvet sunset They have already attracted attention to their dubious origin and artificial presence in the networks.
The discussion grows together with the indignation of true musicians. SzaFor example, he criticized the environmental impact of technology: “Search how much energy and pollution consume”.
The situation highlights a gap in the moderation policies of streaming platforms and raises urgent questions about copyright, digital ethics and conservation of artistic memory.
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Source: Terra
Earl Johnson is a music writer at Gossipify, known for his in-depth analysis and unique perspective on the industry. A graduate of USC with a degree in Music, he brings years of experience and passion to his writing. He covers the latest releases and trends, always on the lookout for the next big thing in music.
