Alicia Vikander in HBO’s “Irma Vep”: TV Review | skin 2022

You don’t need to watch Louis Felilia’s top silent series. The vampires To watch the upcoming HBO series by Olivier Asayas sister vefIn the remake of a French director The vampires. You probably don’t need to watch the 1996 Olivier Asayas movie sister vefAlso about remaking a French director The vampires.

Or maybe you do? new from asaya sister vefIn which the director’s character is being adapted The vampires As a TV series that previously became an art resource, it’s a satire on the entertainment industry, but it’s really an internal conversation about the evolution of modern storytelling. And that’s probably one thing if you’re just looking at star Alicia Vikander, never more relaxed or elegantly bored, and quite another if you want to talk about French cinema and the work of Olivier Asayas with the same clarity as Olivier Asayas. That’s it.

East sister vef It’s loose and intellectually messy, broad and playful at one point and sadly self-absorbed at another. We can compare this to the current season of HBO. PubWith just more teasers, which isn’t really a bad thing, although I’m not sure after debuting three episodes (out of eight) at this year’s Cannes Film Festival, Asayas has a decisive idea of ​​what he wants to do, or if you even care. with an art form that is in constant transition. .

Vikander plays Mira, a Hollywood star who completes a promotional tour for her new superhero movie. Apocalypse. After a few less successful films, Apocalypse It’s a blow and it goes on impulse The vampiresWhen your agent (Carrie Braunstein Zelda) prefers to sign an imminent reboot Silver Surfer. But Mira and her new assistant Jill Deleuze, Regina (Devon Ross), are interested in series writer and director Rene Vidal (Vincent McCain).

Mira is also looking for a way to avoid reminders that her ex-girlfriend and ex-assistant Lori (Adria Arjona) just got married.

1996 in Asaia sister vefRené (Jean-Pierre Léaud) was the trigger for a new wave, attracted by the new version of a crime thriller in part by the fetish of working with actress Maggie Cheng (glorious as her own version) on the protagonist’s wardrobe. Here he is haunted by layers of the past, both the massive legacy of the original and his own new version. René’s TV series is so strictly devoted to Feilia’s original that no actor with his modern psychology can understand the motivation of any of his characters, which amusingly upsets the director.

If that sounds like a lot to you, it’s not bad to make a silly Netflix-style hoax. Call my agent! But if you look at the layers and even think that the dynamic of the erotic obsession between the star and her agent is very similar to that of Asayas. Sils Maria Clouds, then this is for you. What if you were surprised to argue with the director’s doctor about whether his eight-episode miniseries is for television or a feature film? You are the target audience here. Whatever the anticipation and viewing reservations are, I really do have them.

Asayas has her own characters discussing topics like the subtext of zombie movies, the newfound importance of intimacy coordinators, the rise of online media, Harvey Weinstein, and more industry-specific topics than I would list here. In addition, there is at least one good. Emily in Paris A joke. There’s still no real sense of depth, but it can still show up.

There’s a lot of talk, but with Assayas there’s never a lack of extra style in a series that values ​​the backstage of its headquarters, a minimally romantic Paris and surroundings, with images from the 1916 series and highly stylized reeds. The series that Rene is doing.

McCain is one of the sets of Assayas to regularly appear here, including Jeanne Balibar as a client for the Zoe show and Nora Hamzavi as Carla’s first assistant director, directing a play that best blends the Show’s comic and tragic artistic expression. You are confused and disoriented in the present and increasingly lost in the past, factors that clearly complicate your insurance. The comedy also features Vincent Lacoste and especially Lars Eidinger, another Asaya favorite as actors whose insecurities and attitudes can spoil the series.

Everything is built around Vikander, in a role that utilizes a professionally trained ballet stellar physicist. There’s a lot of eroticism in her scenes with Arion in the premiere, and later episodes hint at the obsession with the character that was so crucial to the 1996 film, but mostly the acting is surprisingly light and open, by no means a parody. A movie star can be expected on a foreign film set. On the other hand, just as the film has been enriched by Cheun, as an outsider on the brink of exhaustion and alienation, he is still absent.

Television wasn’t unfair to Asaya. This helped his career and he received an Emmy nomination for his miniseries Oft Featured. Carlos. Maybe that’s why it’s new sister vef It still doesn’t look like it’s ready for lighting or television lighting. I’m interested to see more and wonder if Asayas will return to variations on this story once every few years. If viewers watch this HBO series, maybe in 2030 I’ll do something to remake the French director. The vampires Like the Quibis series.