read seidu Makes a feature film at the Cannes Film Festival Mia Hansen-LoveYes Have a nice day s David ChronenbergYes crimes of the future Both debuted at the French Festival. In the midst of this, Seidu sat down. the hollywood reporterYes Scott Feinberg For your live episode lecture about awards podcast, cooperativeTHR And SAG-AFTRA with OuterInsight.
The podcast was recorded in the Campari Lounge of the Palais, in view of an emotion that moved on Sunday morning. The room is located next to the palace, where Seidu will attend the premiere of Cronenberg’s first film in eight years and the first in Cannes since 1996 on Monday. Accident.
crimes of the future This is happening in the near future where people have adapted to their synthetic environment, making traditional food and sex obsolete. The story is told by artist Saul Tenser (viggo mortensen), who, thanks to a technologically advanced bed that meets all his body’s needs, grows new organs at a rapid pace, which are removed in front of those sold with the help of Caprice (Seidu), a surgeon. who became Tenser’s creative partner. .
“There was something strange about the script. “I don’t think I understand that, but I think his films are very poetic,” Seidum said of the project. “It was just a new adventure.”
At the opposite end of the film spectrum, Have a nice day It is a life drama in which a woman manipulates a romantic romance and raises her daughter while caring for a sick father.
“What I like about working with women [directors] “They’re not fantasizing,” he said. In addition to Hansen-Love, Seidu has worked with a long list of female directors, including Jessica Hausner s Ursula Mayer. To some of the directors, Seidu laughed: “A woman is a strange creature.”
It was announced ahead of the Cannes Film Festival that Seidu would be working with the director. Audrey Divan In a feature film inspired by the erotic novel by Emanuel Arsani, Emanuel. “When I spoke to Audrey Divan, she told me that she wanted to talk about a woman today that she sees and knows but doesn’t see on screen. “I understood what he meant,” he said.
Seidou continued, “This is a woman’s perspective on a woman’s relationship to her sexuality.”
Seidu is a Cannes veteran, having premiered over a dozen titles at the festival and won the Palme d’Or for his 2013 film. blue is the hottest color. In an extensive conversation, he also talked about work. Quentin Tarantino (the biggest bastards), cruise tone (Mission: Impossible – Ghost Protocol), Wes Anderson (french dispatcher) S Woody Allen (Midnight in Paris), as well as his extensive career in French and American cinema.
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Scott Feinberg and Lea Seidu
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Source: Hollywood Reporter
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