For the first time a writer collects artists for a who’s who for the graphic novel “Venice Beach Golem” (exclusive)

Venice Beach takes its time in the sun in a graphic novel that has been in production for years.

And it’s a graphic novel that brings together artists who are who, from Michael Alred and Paul Pop to Jae Lee and Bill Sienkevich, including Stephen R. Bisset, artist written by Alan Moore. Swamp Thing Saga Running in the 1980s, making his first comic in over 20 years.

Chanan Beiser, the first comic book author and former Venice Beach resident, has spent the last four years in development. Venice beach golem, Self-financing and design editing. Finally publishes it through the Kickstarter campaign, which will be officially launched next week, although the pre-page has already been launched.

The album aims to fund the publication of an ambitious 152-page epic story centered on 400 years of adventure. golemSpanning from 16th century Europe to World War II and the beach of modern Venice, where golem He got involved in a war between a gang and the police.

Italian artist Vanessa Cardinal, who currently organizes Image Comics Sleeps, He is the main interpreter of the work, in which there will also be one of the comic book interpreters who interpret the sections. Sienkevich, moon knight s new mutants Artist, shows cover and seven-page preface golemIts creation in 1580. Lee (dark tower, not humans) does art for a 10-page flashback sequence that illustrates how golem Restored during the Second World War.

Alred is a double-page spread that captures the strange spirit and wonder of Venice Beach. a fighter boy Creator Pope has a spread on the Santa Monica Pier. Bissett goes back more than two decades to his first interior comics, a double-page spread described as “Phantasmagoria”. Nick Pitara, co-creator manhattan projectsPaint each person on the book’s panel in a large cinematic scene.

Baiser is a freelance associate director at Fox Sports who moved to the Venice waterfront from Queens, New York, in the late 1990s. During the four years he lived there, he observed the everyday inconsistencies of neighborhood life. . -absorbed that became the fuel of his fervent ambition, writing comics.

“I was fascinated by the contrast of the neighbors overnight,” he says. THR By e-mail. “Dangerous shadows that occupy lonely alleys in the middle of the night, unlike sweaty tourists who fall into the afternoon sun, very film noir Against the movie sun. I like to put together irrelevant things and think of a mythical creature that lives among eclectic locales.”

In 2018, when he saw that screenwriting website ScreenCraft, known for its screenplay and book script contests, was featuring a graphic novel component, he submitted his screenplay. Venice beach golem And to his surprise he won. But while it was an incentive and gave her some visibility, Titi was also an easy part. It will be more difficult to find an artist.

“I didn’t have viable contacts in the comic book world, so I needed a publisher I needed,” he recalls.

He joined a Facebook group called Connecting Comic Writers with Artists and discovered the post by Chris Stevens, the Eisner-winning editor who worked on the 2015 anthology and scene. Little Nemo: Dream another dream. He reached out, paving the way for a collaboration, during which Stevens opened the door to an impressive lineup of artists who are now creating the book.

Sienkevich, for example, is an old friend of Stevens and worked with him on Little Nemo. The artist was surprised by this story and said yes. “German expressionist film of 1920, the golem“He was my favorite, so being able to play a cult character in my own style was a fascinating challenge,” Sienkevich said in a statement.

“With contributors like this, I know the artistry of this graphic novel is beyond anything I could have imagined,” said Beiser.

Mortgage levels are noteworthy golem On the coast of Venice Includes early bird specials, Kickstarter-exclusive copies of all artists, and a hardcover version of the limited-edition Sienkiewicz Deluxe variant.

See Alred’s work above and Sienkevich’s cover and Pope’s contribution below.