Mathieu Kassovitz talks about it Hate
The actor and director Mathieu Kassovitz was very scared – and his audience too – when he was the victim of a heavy fall on motorbike on September 3, 2023. A fall that sent him to the emergency room in worrying conditions, from which he emerged a week later, after operations on his leg, ankle and foot. The actor estimated that he will “walk again in six months”, but in any case suspending ongoing projects is out of the question. In fact, the director of Hate and protagonist of the series The Office of Legends is currently preparing a theatrical adaptation of his masterpiece released in 1995. It is on this occasion, and when he has just finished the casting of this musical comedy scheduled for fall 2024who gave an interview to the newspaper Le Monde.

In this interview he explains why he has always thought this way Hate it could have been a musical film, because its narrative is made up of sequences”almost independent” from each other, and because its strength lies above all in its characters and its ending. And above all, proof that he has recovered very well mentally from his recent and violent accident, he once again congratulated himself on the film that revealed Vincent Cassel and Saïd Taghmaoui, which in fact considers the conclusion of Hate AS a great moment in cinema history.

Cillian Murphy (Oppenheimer) declares this French film a “masterpiece”
“It makes it timeless”
So when the question was asked why Hateregarding police errors, had the same impact, Mathieu Kassovitz responds:
Because the kids in the film represent teenagers all over the world and because we shot it in black and white. This makes it timeless. And then my ending is one of the best endings in the history of cinema! This scene where Vince is killed, with a final off-camera shot just before the lights come back on, has deeply disturbed people. The film is only interesting for these last ten seconds. Without them it is useless.
The end of Hate it is therefore, according to its author, “one of the most beautiful endings in the history of cinema“. Precisely this. Mathieu Kassovitz has never been known for the moderation of his speeches, and in the purest tradition he therefore has no nuance in his film, Award for Best Director at the 1995 Cannes Film Festival, nominated eleven times for the 1996 César and awarded in three categories, including that of Best film. If the definition of the “best ending in the history of cinema” will always remain an eternal debate subject to subjectivity, and if we will always have the possibility to argue and counter-argue Mathieu Kassovitz’s opinion as we please,
Source: Cine Serie

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