Comedy Docs is among the Emmy nominees this season

Many Emmy-nominated documentaries this season focus on the people who made us laugh and the difficult legacy of their place in comedy history. The titles of the four articles talk about comedians, George Carlin and Bill Cosby, a Canadian cartoon company, Kids in the Hall, Careers and Controversies. i love lucy With Lucille Ball and Desi Arnaz. this is what the hollywood reporter Critics have to say about each one.

George Carlin overcame and changed the parameters of his chosen profession. It’s been nearly 14 years since Carlin’s death, but due to his continued social media, his words have come to life and remain incredibly specific, as if every unforeseen catastrophe in human culture is somehow waiting for just one person. On any given day, whether it’s about reproductive rights, environmental catastrophe, political hypocrisy or free speech, a part of the crowd is worried that we’ll never understand what George Carlin would say about the News du jour. And the other set publishes a bubble support set that reflects exactly what George Carlin said on the subject.

The fact that Carlin left behind countless hours of clearly articulated and increasingly irritating expressions of his worldview doesn’t change the most compelling aspect of Jad Apatov and Michael Bonfillo’s documentary: that Carlin was the multifaceted embodiment of the country that produced it. . Carlin’s life didn’t just have a second act, it also had a third and a fourth act, and the comics he had in the ’90s and 2000s were almost certainly not the comics he would be today. What makes the documentary a party and a tragedy.

Like many of the leading figures in the home media explosion, Carlin’s path has been well documented each time, and here directors can combine audio from their radio days and various talk shows and a variety of shows to highlight the differences. . And common wires. Carlin’s appearance may have changed dramatically, but the careful and versatile calibration of his performance and his passion for comic linguistics were present from the start. the best parts George Carlin’s American Dream Immerse your fans in the world of stand-up – it will be almost every comic you’ve ever lived, brought to you by Stephen Wright, Jerry Seinfeld, Bill Boer, Robert Klein and others, breaking down the nuances of Carlin’s performance and more. Your theme. Read the full post here. – Daniel Feinberg

Direct intro from the usual comedy troupe, Joe Harkema Kids in the hall: comedy punks Old fans wonder where they put their DVDs, while newbies wonder how they haven’t heard of these guys; Start seeing the rabbit hole. While it’s packed with photos and clips fans haven’t seen, the quick editing ensures you almost never see enough offbeat humor in the clips; instead, the montage convincingly evokes the friendship and creative enthusiasm we all wanted to believe in: yes, these guys are good. friends They were at the time of the comedy transformation. So they weren’t. Now they are again.

The film begins in Calgary, 1981, where Bruce McCallough met Mark McKinney on stage at an impromptu event called Loose Moose. Dave Foley and Kevin McDonald met similarly in Toronto the following year. Both couples met while competing in Theatresports, a Canadian brand of competitive theater that needs no explanation. The last couple felt an instant “comic chemistry”, which is likened to love. McDonald recalls at the time: “I asked [Foley] To join my sister. I didn’t have a company.” So you have to create one.

Forming a foursome and naming themselves (a reference to aspiring comedians trying to sell Gegi an established star), they attracted a fifth member who had no intention of becoming a comedian: Scott Thompson, whose opening would be gay. It became a big part of his identity, hoping to become a serious actor. “I wanted to be James Dean,” he recalls; Instead, it would be Buddy Cole, Lucy’s guardian, whose brilliance would divide both the gay crowd and the set of the band’s television series. Read the full post here. -John Defore

He is unexpectedly influential among a rich selection of staff and personnel. lucy and desi, is an image that may surprise you as film director, Amy Pohler. The photo shows Lucille Bull, one of her most powerful observers, looking at the camera: wide-eyed, beautiful clown. After more than 70 years i love lucy With the ether shifting, many people who work in television can find their inspiration in this heartwarming comedy and their favorite stars. But Pohler brings a particularly strong sense of connection and understanding to her debut documentary. As a ball, she is a funny woman who has a big influence on the television business. He even knows a thing or two about the part of the famous comic couple whose marriage ended in divorce.

With an insider’s perspective and access to the Ball and Arnaz archives, Poler is interested in the love story of showbiz. In addition to the couple’s romantic union, the post-war nation’s love for them. The film celebrates tremendous talent while appreciating something more comforting, a pain that isn’t necessarily remedied or even alleviated by professional achievement. And how Dr. Martin, who relies on the opinion of one of his daughters, lucy and desi Spend quality time with Arnaz and Ball’s firstborn, Lucy Arnaz Lukinbill. He offers clear, searchable testimonials about his parents’ marriage and their interrelated careers, calling this his “success rate”. His description of their final conversation, decades after they remarried, is surprising in its simplicity.

lucy and desi It covers many areas, but Pohler’s objective is not a complete description of the race. The connection between them mainly interests the film director. It’s not just the spark that inspired the magic of the small screen, but also the love and respect that survived the comedy, marriage and strong business partnership, Desilu Studios. For a time it was the largest independent television producer in the world. Eventually this played a role in keeping them apart and they built it on the old RKO lot where they first met. Read the full post here.– Sherry Linden

W. Kamau Bell isn’t exactly an investigative journalist and he’s not exactly a dirt trailblazer, and the Bill Cosby case doesn’t really call for such an expert. More than 60 women have been accused of sexually assaulting Cosby, he was tried in one of the cases, and the fact that he is a free man today is a product of legal technical skill and by no means a justification. If you need “proof” of Bill Cosby’s crimes, We need to talk about Cosby. It won’t be a documentary for you, though it does present a long and reasonably graphic account of Cosby’s failure by several of his defendants.

The documentary was designed to start a conversation rather than establish a case, giving Bell an entirely different responsibility. We need to talk about Cosby. Does not contain the pattern now “We left [Insert Accused Pariah Here] To comment and was ignored or denied or “denied responsibility”. You won’t find the main actor. cosby showBell also doesn’t try to make the list of black comedians under Cosby’s influence. The agenda is “Who is ready to talk to me in an interesting way?” No “Who are the biggest names I can get for clickbait titles?”

Bell and his experts want to correct the fact that, without determining how beloved and, moreover, trustworthy Bill Cosby was, one cannot fully understand how he was able to do what he supposedly has been doing for so long. And if you can’t clearly state your position on justice and truth, you can’t understand why it was so hard for some to believe these stories. Read the full post here. -DF.