Talk about getting to know you me, tony Directed by Craig Gillespie pam and tommy, Oscar-nominated editor Tatiana S. Rigel describes the stories of Pamela Anderson and Tommy Lee and Tonia Harding as “misunderstood.”
“Actually, I think they are similar, two stories,” says Rigel in a new episode of the series. the hollywood reporteryea beyond the screen podcast “Because of the amount of time (since the events took place), a lot of people didn’t know anything about it or had a preconceived idea of what the stories would be like, often highly critical.
hulus pam and tommy It revolves around the marriage of model/actor Anderson and Mötley Crüe drummer Lee and the theft of their famous sex caste, which aired earlier this year.
“I knew there would be a certain emotional level to it,” adds Rigel of being in charge of Gillespie. “And that would be intriguing, in addition to its comedic feel. [showcasing] His ability to go back and forth beautifully between those two places.”
Rigel’s favorite scene, whose Gillespie work also includes Disney cruelThe second episode brings newlyweds Pam (Lily James) and Tommy (Sebastian Stan) home one night while watching TV when Pam introduces her husband. king and me. Sing along to “Getting to Know You” from the classic musical as the couple whistle and dance happily across the room.
“This particular scene was a real emotional turning point in the story,” Rigel said. “It’s a really unusual scene when a character like Tommy Lee is watching this musical. He is like this. I think this is a very sweet and vulnerable scene that they’re both involved in. And I feel like that really opens the door for the rest of the season. ”
During the conversation, Riegel also discusses his approach to editing the film, including why he avoids the set at all costs.
“I have a lot of work, number one. And number two I think [being on set] “It affects my perception,” Rigel said. [When] I look at the papers… I try to keep… my first emotional reaction – to the shooting, to the wire, to the play, whatever it is, real or real, I laughed or cried.
“[But] “It’s a very classic thing that happens where everything is hysterical on set,” he continued. “Everyone loves it. And when you get to the editing room and you see it in the papers, it’s not so funny anymore, or vice versa. So everybody likes, “It looked more fun that day.” This is not an editorial affair. It’s just a matter of translation. …. It’s like watching a show alone at home, in front of a large audience. It’s a different experience.”
You can listen to the full conversation below in the new episode. beyond the screen.
Source: Hollywood Reporter
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