Stephen King wants you to see this adaptation and attacks Warners

Stephen King wants you to see this adaptation and attacks Warners



Salem: but where did the film adaptation go?

When it comes to adaptations, few names resonate as strongly as that of Stephen King, the undisputed master of horror and the supernatural. His works, translated into countless films and series, have fascinated many spectators. However, one of the most anticipated adaptations of him, that of Salem (Salem’s Lot in the original version), is currently in cinematic purgatory, causing frustration not only from fans, but also from King himself.

First published in 1975, Salem constitutes one of the cornerstones of King’s bibliography. The novel (already adapted for television) explores the classic theme of vampires in the small American town of Jerusalem’s Lot, but with a typically Kingian touch, mixing horror with harsh social criticism.

The film adaptation of Salem underwent a complicated development process, casting doubt on Warner Bros.’ intent to distribute the film. Led by Gary Dauberman (Annabella 3) this adaptation stars Lewis Pullman as Ben Mears, an author who returns to his hometown of Jerusalem’s Lot to find that its inhabitants have been transformed into creatures of the night.

Stephen King doesn’t understand Warner

Yet despite the film’s completion, Warner Bros. remains evasive regarding a release date. Initially slated for a 2022 release, then pushed back to 2023, the adaptation was finally supposed to air on HBO Max last October before being inexplicably removed from the release schedule. This series of postponements and cancellations is disturbingly reminiscent of other recent decisions by Warnersuch as the total abandonment of projects such as Bad girl AND Coyotes vs. Acmeraising questions about the company’s distribution strategy.

Stephen King himself has taken a public stance on this topic. On X (formerly Twitter), he shared his thoughts on the film:

Between you and me, on Twitter, I saw the new ‘SALEM’S LOT’ and it’s pretty good. Old-fashioned horror cinema: a slow build-up, a big ending. I’m not sure why WB is holding it back; It’s not like it’s embarrassing or anything. Who knows. I just write the damn things.

This statement from King highlights not only the quality of the film, but also his misunderstanding of Warner’s reluctance to release it. He highlights the “old-school” style of the adaptation, promising a slow but satisfying development, faithful to the spirit of the original novel.

Source: Cine Serie

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