“Top Gun: Maverick”, “Fire Island” and others: “It really was a lot of oil”

Whether it’s big box office points, streaming numbers or critical acclaim, some of this summer’s hottest projects have one thing in common: oily, heartbreaking scenes.

Top Gun: Maverick His own take on the original beach volleyball scene came to light, with Tom Cruise, Miles Teller, Glenn Powell and the rest of the team playing an oil-laden beach soccer game, in which he even overheard Teller’s close friend. , Shailene Woodley. . Instagram. island of fire Distinctive crowds of gay men shone in clubs for a while MarthaManga models prepared a camera. Physical s time to win They took more active and sweaty approaches to their elusive moments. And what followed those stars half (or in some cases, completely) naked on screen? It turned out that this is much more than it seems at first glance.

“It was avocado oil and sunflower oil, castor oil and coconut oil, it was a lot of oil; literally we all had four or five layers of different types of oils to make sure the muscles were cut,” said Jay Ellis. Talk about footage that shines best weapon Scene. And it was pale compared to the oil operation island of fire.

“Everyone you saw without their shirts had a little oil on them,” said Rashida Bolden, make-up director for the Hulus movie. “We also have to remember that some men needed a greasy, sweaty look, while others just wanted a greasy look. With fat, sweaty guys who used thicker oil on them and then sprayed them with water. The application process can take up to 45 minutes, including foundation, sunscreen, foundation spray, and sometimes shine, plus an oil that stays put all day.

“The backbone of all our gear bags was an oil spray bottle and a water spray bottle,” adds Bolden. inside. ‘ And we pulverized them. “He cannot estimate how many shots were fired, but he confirms it.”It really was a lot of oil. ”

For Nick Adams’ character Cooper, specifically island of fire Director Andrew Ann told Bolden he wanted the actor to look almost plastic, which he did with face and body makeup, bronzer and a hybrid oil serum.

“We were trying to get Ken-Doll botox plastic,” Adams said. “We found that we needed sunscreen and spray on the island, which really helped to achieve the glow. There was one day we had to wash our hair because the oil applied to my face got into my hairline. I think the overall look was super effective in combination with David Tabert’s excellent costume selection portraying a stylish gay villain.

Bolden says the oiling process not only gave the stars “a little more hint of what they look like” but also helped them get in shape. “I really felt like I was making a masculine bouquet to go to this party, it was like I was going to this party,” she said, recalling a movie underwear party scene.

Victory Hour: The Rise of the Lakers Dynasty He had his own full lubrication process, which is complicated by the fact that many of his stars (including Quincy Isaiah as Magic Johnson) had tattoos.

Since most NBA players weren’t painted in the ’70s, the tattoos had to be covered “and what we’ve done for the shine shouldn’t affect the makeup,” Kate Bisco, the show’s director of makeup, said as the oils dissolve. chemically. Bottom cover. Also, “the shorts couldn’t get any shorter” and the actors couldn’t get any taller (Karim Abdul-Jabbar actor Solomon Hughes is 6ft 1in), which meant plenty of room. Bisco and co-director Corinne Foster shine with silicone paste and wet spray for a shine that should be safe for cast and crew filmed in the pool as well.

“They were very specific if we were on the basketball court,” Foster said. “We couldn’t even spray water on the court, because if they slipped or something on the floor, it could affect camera operators and players, and that was a dangerous thing to do.

But for those not actively playing basketball, including stars Jason Clark (played by Jerry West) and Jason Segel (played by former Lakers coach Paul Westhead), the oil is flowing. “I did a scene with Jason Clark and they were like, ‘More sweat, more sweat, more sweat,'” recalls Bisco. Adds Foster: “Jason Segel had some scenes where it was difficult for him to walk to the bathroom and he wanted to express that especially in the amount of sweat. He really said, ‘I need this, I really want this as extra money.’ ‘

Bisco says the show’s director, Todd Banhazal, “wanted to get everybody out” to match the show’s unique visual style, which is filmed leading the makeup team back and forth. “It would be that fine line all the time. ‘That’s enough for him, but is it superfluous?’” he explains. “It must be so bright.”

როგორცa as best weaponPowell points out that being covered in oil while playing sports on camera has a downside: “If you’re going to play a competitive game of beach soccer, I’m not going to make you greasy. It’s very difficult to catch football: you slip, you can’t make a good pass.

is included Physical“Oil and sweat from our sometimes unique vintage or handmade clothes” were also considered, keeping the star shine of ’80s exercise videos, says creator Annie Weissmann. And to fit the deadline, “We had to go back in time in terms of skin cancer awareness. So a lot of makeup and body oil was used to achieve what was a more common look at the time and place. ”

However, not all Hollywood T-shirt scenes are so dependent on oil, he says. Martha Makeup manager Carly Herbert, who chose body makeup and bronzer for most of the actors on the show.

“This is something to watch out for,” says Herbert of choosing to use oil. “That’s what you have to think about: the lighting and the movement that the actors do. “You don’t want a person running, jumping on set with oil all over their body, unless the character asks for it.”

Conversations with directors and actors often dictate which products to use, even if it’s body makeup that “doesn’t look crazy in person but just reflects on camera,” she adds.

Because at the end of the day, “we want them to look natural covered in makeup,” says Foster. “Gives a smoother look than any other stain.”