Never left in the cinema, this erotic thriller prohibited at -16 years is available on Netflix

Never left in the cinema, this erotic thriller prohibited at -16 years is available on Netflix



A bold immersion in power games

Directed by Zachary Wigon,, Sanctuary It is an American film from 2022 that has not benefited from a trip in theaters in France. The story focuses on the singular relationship between Rebecca (played by Margaret Qualley, recent star The substance), a professional dominator and his usual customer Hal (Christopher Abbott), heir to a luxury hotel chain.

On the eve of his appointment in CEO, Hal decides to end their relationship. However, this rupture triggers a series of events in which manipulation and seduction intertwine, obscuring the boundaries between reality and role -playing play.

The film takes place almost entirely in a hotel suite, thus creating a claustrophobic atmosphere that intensifies the tension between the characters.

A future card on Netflix?

Previewed a Toronto International Film Festival In September 2022, Sanctuary He received free criticism for the alchemy between his two main actors. Margaret Qualleyalready noted for his role in the series DomesticIt offers bold performance here, embodying a woman who is both dominant and complex. Christopher Abbott He completes this duo with a subtle interpretation of a man shared between his desires and responsibilities.

With his closed psychological chamber, Sanctuary It is part of the tradition of erotic thriller that explore power and seduction relationships. The film recalls it works like Basic instinct (1992) of Paul Verhoevenwhere manipulation and desire are dangerously intertwined, or Open eyes (1999) of Stanley Kubrickwhich questioned the limits between fantasy and reality.

However, where these films often make complexes complexes with different characters and various decorations, Sanctuary It adopts a minimalist and theatrical approach, focused exclusively on the comparison between its two protagonists. This reinforced intimacy intensifies the dramatic tension, allowing spectators to immerse themselves in the subtle psychological dynamics between Rebecca and Hal.

The film also stands out for its tone swing between dramatic and black comedy, sometimes evoking The Duke of Burgundy (2014) of Peter Stricklandwhich also explored domain relationships through a refined aesthetic. Unlike these references, Sanctuary Do not try to shock, but to question the concepts of consensus, control and vulnerability in a relationship based on role -playing games.

Source: Cine Serie

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