A true friendship at the origin of the film
Before being a movie, Almost It is above all the story of a meeting. That of Bernard Campan, actor and director known in particular for StrangersAnd Alexandre Jollien, a Swiss philosopher and writer, who suffers from a brain motor from his birth. Their friendship began almost twenty years agoWhen a telephone shead has arrived to seal a deep connection between the two men.
Campan, hit by a Jollien intervention on television in which the latter mentioned the eyes of others on the handicap, contacted him. Very quickly, an accomplice relationship was established, nourished by daily conversations around philosophy, to overcome yourself and the gaze that you have on life.
A fiction nourished by personal experiences
If Almost It is not directly an autobiography, however it is profoundly anchored in the reality of the two self-director. Alexandre Jollien embodies Igor, a disabled philosopher, while Bernard Campan plays Louis, an introverted employee of the funeral pump. Fiction is based on elements experienced by its creators:
- Igor shares a passion for philosophy with Jollien, which has allowed him to overcome many obstacles.
- The duo of the protagonists, formed by a man on the sidelines of society and a Croque-Mort, illustrates his reflection on the human condition and on the meetings that transform an existence.
- Some scenes of the film, in particular those in which Igor offers Louis to swim spontaneously in a lake, are directly inspired by the anecdotes lived by the two friends.
If Almost It is inspired by the life of its authors, there remains a fictional work built around universal themes: fear of the other’s gaze, solitude, car -accepting and ability to be surprised by life. The choice of the road film allows you to accentuate this idea of transformation, in which the two characters evolve during the journey.
Source: Cine Serie
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