EntertainmentCassandra: When the real haunt is not technology

In the middle of 2025, It is difficult to live without technology. It is already common to research in Google A song that you don’t know and ask for artificial intelligences, for example, what is done tofu? (soy, salt and nigari, by the way).

In this scenario, the miniseries Cassandrawhich portrays an intelligent house controlled by a virtual assistant, came to discuss Privacy, immortality and machismo.

The series tries to unravel, over six episodes, the conflicts of a family that tries to heal from a traumatizing loss, moving to a different home. The execution that becomes Failure when the viewer perceives a repetition of clichés Present in the genus Suspense/Terror.

Here we have everything: the husband who does not believe in haunting until he loses a finger (literally); the wife discovering every plane of haunting and being taxed in crazy; The husband who cheats on his wife (because she is too good) and the child who is a friend of haunting. Certain episodes are so predictable that, even in German, it would be possible to easily repeat the characters’ dialogues.

But, it’s not just errors that Cassandra It is made. In fact, just like the robot, there are times when the series proposes to talk about relevant topics, with a sensitive approach.

Criticism of machismo are the ones that shout the most. Patriarchs of main families appear as negligent, ignorant and passive figures in the face of horrors their partners expose. That is, the villain of history (spoiler!) It’s not technology or artificial intelligence – and that’s amazing. The men represented here are hateable and poorly developed, giving the series a very delicious differential.

With this script asset, few episodes and well -made technical aspects, it is easy to understand why the miniseries are so long in the Netflix Top 10.

Rolling Stone Brazil Cinema Special

The cinema is the subject of the new special printed of the Rolling Stone Brazil. In a magazine dedicated to seventh art lovers, we interviewed Francis Ford Coppolawhich reaches 85 years amid the release of his new movie, Megalópolisbold and millionaire endeavor financed by himself.

Unshable in the face of controversial reactions to the novelty, which took about 40 years to get out of paper, the filmmaker defends the boldness of being creative of the film industry and opens, in good Portuguese, the influence of Brazil on his new movie: “Joy”.

The special also brings conversations with Walter Salles, FERNANDA TORRES and Selton Mello on I’m still herea chat about soundtracks with the conductor João Carlos Martinsan exclusive list of the 100 best films in history (50 nationals, 50 international), another list of the 101 largest trails in the history of cinema, one warm for the Oscar 2025 and the radar of globe launches, Globo Filmes, O2 Play and O2 movies for the coming months.

The Special Cinema of Rolling Stone Brazil It is already on newsstands, but can also be bought at the EDITORA PROFILE store for R $ 29.90. Check it out:

Also read: Who is who in Cassandra, miniseries that is in 1st place on Netflix?