A terrifying as well as realistic invasion
In VerminKaleb, a young suburban passionate about exotic animals, reports a poisonous spider. But the insect escapes its box, reproduces at a frightening speed and gradually colonizes the building. The intrigue deposits itself in a very concrete environment: a large abandoned urban complex, soon completed by the authorities, where the trapped tenants find themselves delivered to themselves. In the heat wave, the panic rises while the walls, the ceilings and even the ventilation ducts become so many nests with spiders.
Sébastien Vaniček, for his first feature film, offers an anxiety decidedly stimulating. It is inspired by the codes of survival and horror of the body, injecting a true mastery of the framework. No fear of the useless jump, but a climb of permanent tension, strengthened by the closeness to the characters. The visceral staging installs sustainable discomfort, especially for Arachnid phobics.
A new generation of French genre cinema
The Grand Prix at the Gérardmer Festival in 2023, Vermin It is part of the awakening of the hexagonal genre cinema. The film also tackles the cable of social themes, without ever falling into supported speech. The protagonists, from a district abandoned by the public authorities, fight against a danger that exceeds them and clash with the indifference of the authorities. The monster is not just Arachnean: it is also bureaucratic.
Greeting for his efficiency and generosity, Vermin He met a great success in cinemas in France and his arrival on Netflix could offer him a second life for spectators who may not have had the opportunity to see him on the big screen.
Source: Cine Serie
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