An aesthetic and sensory shock
As soon as it is released, Requiem for a dream He left a lasting imprint. Through four trajectories related to addiction – that of Harry (Jared Leto), his mother Sara (Ellen Burstyn), her partner Marion (Jennifer Connelly) and her friend Tyrone (Marlon Wayans) – Aronofsky immerse themselves in a hellish spiral without ever offering a master. The ultra-surfing assembly, the divided screens and the close-ups on the dilated pupils visually reflect the obsession and the loss of control. Clint Masell’s music, played by Kronos Quartet, remains to date one of the most iconic of contemporary cinema.
The film does not seek nuances or pacification. His gaze on the devastation of addiction is frontal, sometimes unbearable, but never free. The raw realism of some sequences has contributed to its reputation as a film “which we do not see twice”. Yet, behind its darkness, Requiem for a dream Asks a society obsessed with success, body and artificial escape.
A cult work, always so violent
Twenty -five years after its release, the film keeps its power of amazement intact. His aesthetic has not aged and his words always resonate in an era marked by other forms of addictions: on screens, with the image of himself, with social validation. Ellen Burstyn offers an anthology performance, often cited as one of the greatest injustices of the Oscars, while embodies the mental drift of its character with precision and pain.
This restored 4K version in version is more than a simple retro reflector. It offers the opportunity to rediscover the film as it has never been seen in the dining room, with a renewed visual finesse that strengthens its sensory impact. For those who only had the image of a shock film, the revision seems even more surprising.
From 9 April, Requiem for a dream It stands out again as a cinematographic slap. A physical, moral and emotional experience, which leaves no one unharmed. Note that the film will also be available in Blu-Ray 4K from April 16th.
Source: Cine Serie
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