A game of apparitions at the center of an explosive test
Primordial fear It begins as a classic judicial thriller. Richard Gere interprets Martin Vail, a star of Chicago Star of Chicago and cynical, who agrees to defend a 19 -year -old young man, accused of killing an archbishop in particularly bleeding circumstances. The accused, Aaron, shy and blocked, is covered with blood near the body. The whole accuses him.
But very quickly, the film takes a more troubled turning point. The defense is moving towards a psychiatric hypothesis: Aaron would suffer from a dissociative identity disorder. Behind his fragile facade he hid another violent, uncontrollable personality. This game of balance between truth, manipulation and staging gradually changes the film from the simple test to the real psychological trap.
Directed by Gregory Hoblit, Primordial fear It is based on a constant dramatic tension and a classic but formidably effective narrative. The film does not accumulate the effects, but trusts its characters to instill with each scene.
Edward Norton: brutal revelation of a normal Monster
What made the strength of the film in 1996 and what continues to make it surprising today is in a word: Edward Norton. Unknown at the time, it offers here a stunning performance, between vulnerability and latent threat. He was only 26 years old during filming, but he captures all his attention as soon as he appeared for the first time. His ability to play a character with two sides made him one of the most surprising voices in the cinema of the 90s.
The final turning point, still mentioned among the most effective of the genre, gives the entire film a chilling rereading. Without revealing the content, it is sufficient to say that it completely reconstructs the moral and psychological cards placed so far. It is not just a narrative reversal: it is a slap, dry and brutal, that changes the very nature of what we have just looked at.
Thirty years later, Primordial fear He did not lose the edge. At a time when thrillers often seem to be suffocated by the offer or score, this film recalls that a good scenario, two solid actors and a precise direction can be enough to return a spectator.
Source: Cine Serie
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