They are all the plans, of all the scenes. In the role of a psychoanalyst whose patient disappears suddenly, Jodie Foster navigates between intuition, concern and loss of control. Convinced that it is not an accident, his character comes out of his painting to conduct a form of personal investigation, supported by his ex -husband, played by Daniel Auteuil. If Virginie Efira is announced in the credits, it remains behind. The film is based entirely on Foster and Rebecca Zlotowski says so. The staging, muffled, accompanies the word, the silences, the defects. Private life oscillates between manner’s comedy and delicate introspection, without ever forcing its effects. And above all, it offers French spectators an almost unprecedented pleasure: listening to Jodie Foster, in French, with total fluidity, without emphasis or hesitation. For this only, it is an event.
Source: Cine Serie
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