Every detail of the ‘Bullet Train’ look inspired by Brad Pitt’s work clothes

Brad Pitt – who dominated fashion headlines during this period Bullet train Press tour of her colorful, casual and cool outfits – and a brown linen skirt designed by Haans Nicolas Mott – she’s clearly practical when it comes to her style choices.

For starters, the actress does not work with a stylist. As his manager Cynthia Pet-Dante says the hollywood reporter, “Now you don’t work with a stylist. He worked directly with Hans to create the looks for the entire promotional tour as he is a huge fan of Hans’ work.”

Bullet train Costume designer Sarah Evelyn Bram also details THR How involved was Pitt in working with her to create her on-screen appearance as Ladybug in the film, which was released on August 5th?

“Brad was very involved, in the best way, from the beginning,” says Bram, adding that his team designed almost all of the costumes except Pete’s shirt and a few props. “He has a great artistic sensibility and has been making films for a long time. It seems very generous of him to bring that deep intellectual and empirical knowledge into the process, because it just adds more meaning to the costume.”

As almost the entire movie (except flashbacks) takes place on the train journey from Tokyo to Kyoto, Pete is mostly seen in a single green suit. He wears a pea coat and a work jacket, both of which he wears on the road until the actor changes into a tattered shirt and pants. His accessories include a bespoke bucket hat, sunglasses by Italian brand Police and All Saints low-top sneakers.

here is your data Bullet train To look.

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Known for his personal preference for bucket hats (from brands like Kangol in the 1980s to SSAM at the US Open in 2021), Pitt first brought the idea of ​​this topper to Bram and director David Leitch. “He said, ‘I feel like I’ve retired and been sitting on a dock fishing,’” says Bram, referring to the off-screen story Pitt created for his character. “I was really excited because I’m obsessed with work clothes. It was a brilliant and original idea. The fact that it was unexpected, so radical, and the fact that he was willing to take those risks, I love that. “

Bram says that he and Pete “reviewed the bucket hat silhouettes until we found two we liked and combined them to make the bucket hat.”

Peacock, jacket, pants and shirt.

Pete’s dock seating concept inspired a slightly nautical feel in both the peacock design and the Wittmore x Velva Sheen “Master Baiter Ozark Mo” white T-shirt choice. Logo on the back, a custom graphic created by production designer David Schuneman, emblazoned by the team on the jersey.

The actor delved into the styling details. “What the pieces were and the fabrics were very important to him,” says Bram. “Not for nothing, but in terms of a true workwear heritage and a true respect for fashion. Exactly how baggy the pants were and their length mattered. You could see when he wore these things that he was becoming a character.”

A session was dedicated to choosing the perfect design for the three pieces, which was not an easy task. “We went through several jacket silhouettes until we found one with the right comfort and the right fit fabric,” he says. “It was, ‘I really like the body of this, but I like the neck of this.’ Okay, what fabric are we going to use? That’s nice; Let’s see how it washes.” So we’d pick up with different things and say, “Okay, we like number three better.” We found a pair of pants that we liked a length, a leg that we liked, and mixed it with another pair of pants that we liked around the waist. ”

The fabrics for the jackets and pants were cotton canvas, “real workwear fabrics,” says Bram, while an ultra-soft straitjacket was used for the bucket hat and waxed cotton for the pea coat. “We needed to adjust the green mantle, which was another process, because coloring can be very difficult, especially when you’re doing multiples.”

Catching a single look for months, amidst all the fighting and blood-soaked action, required several similar agings. Pete’s duplicate included 20 shirts, 14 pairs of pants, and 12 work jackets.

“Brad also has an aging eye,” adds Bram. “Growing old is a craft, especially when you’re doing laundry. These things get very worn and very textured and very character-like.”

Spontaneous costume changes during the action made it impossible to plan old pieces (and duplicates). “At one point Brady walked on set dressed in a suit and said, ‘Okay, put your hand on ‘Blood’, put your hand and your brand on my shirt,” says Bram. going to the camera. and David is indeed the aging king. Having worked with him several times, I know that when we have a big stunt scene, you have to be ready for him to turn around and say, ‘Give me the ‘bottle of blood’. He’s in the middle and he’s getting old all this minute.”

Bram says the scene with Pitt was “last minute”. The clothes seen there, he explains, were workwear versions of jackets and pants, plus a mustard-colored bucket hat. They were all “part of the research and development we did initially before looking for colors that would look better on the train with the rest of the cast,” says Bram.

your other accessories

Pete’s bold black Origins Bullet 1 Man sunglasses are from the Italian brand Police, while his retro beige low-top sneakers are from All Saints.

The stacked bracelets, rings and necklaces Pitt wore in the film are his own pieces, along with the Breitling watch. (The actress is an ambassador for Swiss watchmaking.) “We ended up copying her personal jewelry for the stunts,” says Bram. “I felt like it was a nice touchstone, like a thread that connects you to the character.”

In the mix are pieces by Amrit by Sat Hari, jewelry designer Sat Hari Khalsa/holistic healer, who partners with Pete on his unisex God’s True Cashmere line. (Launched last year at Just One Eye and recently acquired by ex-fiancée Gwyneth Paltrow’s Goop website, the brand’s cashmere shirts, starting at $1990, feature seven-jewel buttons that represent the seven chakras in gemstones such as emeralds. , rose quartz, moonstone and Eye of the Tiger. Earlier this year, the brand added joggers and t-shirts. Just One Eye also features a furniture collection by Pitt-Pollaro in collaboration with New Jersey-based furniture maker Frank Pollaro, which premiered in November 2012).

As for Pete’s favorite styles in the film, he kept some pants and a coat he made during the research and development phase. “A waxed cotton peacock we made was so waxy it would have been amazing if it had been Rick Owens’ peacock.” Bram says. “I was like, ‘Oh my God, you can’t wear this.’ It’s too heavy and too much for the character. This is a couture piece. But he said: “It’s amazing. can I have this?’ So he got this wild, crazy peacock, very waxed. He really appreciates all that fabric can do.”

Summing up, Bram says, “When I think about my impressions of Brad Pitt and design his character’s outfit, it’s amazing to me that someone who gets so much attention is so open. Normally the instinct might be to shut down, but it’s so tactile and so open in your own life, trying to connect with the energy, the aura, the color, the art.

Mott, whose relaxed silhouette Pitt drew in Bullet train The press tour was entirely hand-stitched – it describes a similar experience working with the actor. Says Mott via email: “We created a sequence of pieces about your thoughts/feelings about color/cut/clothing, which you can assemble however you want, working in a general way (i.e. considering the color relationships and then making pieces in around this idea) and specifically. (She wants a skirt with a brown jacket.) It looks like Bullet train [tour] In appearance, she has a unique and wonderful point of view when it comes to putting together looks. “

Mott’s collaboration with Pitt went far beyond the spoken word skirt she wore in Berlin, which the actress paired with a matching jacket and lavender button down the front, also worn by the stylist. (Comment from Peter variety The face on the skirt was simply “we’re all going to die, so we’re going to screw it up”)

Also in Berlin, the actress wore navy blue linen Mott pants with a powder pink zip top. In Paris, Pitt wore a melon-colored linen blazer and pants with a burnt orange henley top, as well as the same gray and blue ensemble. In London, he played a hunter in green, then brown in chocolate velvet suits. The grand finale, in Los Angeles on August 1, consisted of a grass green linen suit, a blue polo shirt and yellow and black Adidas x Gucci sneakers to match Mott’s signature color contrast stitching.