Netflix ‘Heartstopper’: TV review

Netflix ‘Heartstopper’: TV review

The Easiest Way to Start Reviewing Alice Osman’s Netflix Series Brooch It would be his contrast to Sam Levinson’s HBO sensation ფIphoria. The new teen romantic drama with its sweet color palette, errant rhythm, and crisp use of needle drops is offered as an intuitive counterpoint: while ფIphoriaA teenager’s interest in emotions depends on an exaggerated nihilism; Brooch Based on seriousness, it forms an age-related story that is distinguished more by its sweetness.

I don’t mean this in a derogatory sense. BroochThe tone of the duet is addictive. Osman (who also wrote the webcomics on which the show is based) seeks sincerity. His characters deal with a familiar set of problems with an exhilarating level of care. They leave cruelty for curiosity, restlessness for patience. The series chooses restraint and calm humor, allowing its main lessons to breathe. It’s a discreet viewing experience that will stay with you long after the credits roll.

Brooch

Final result

Breathe fresh air.

Release date of: Friday, April 22 (Netflix)
Issue: Keith Connor, Joe Locke, Jasmine Finn, William Gao, Toby Donovan, Sebastian Croft
Executive Producers: Hakan Cuseta, Jamie Lawrence, Patrick Walters

Charlie (Joe Locke) and Nick (Keith Connor) tackle different areas of grammar for their kids in the UK. The former is a slightly nervous chronic apology, while the latter is a popular and confident captain on the rugby team. They meet in a math class where they strike up a friendship consisting of a gentle greeting and small talk about the weekend. His romantic spark is obvious, at least to Charlie. Nika, on the other hand, takes a while to catch him.

Their early romance pushes the start. Brooch, which is less a performance show than a wrestling match with self-determination and stony identities. Nick doesn’t understand his initial attraction to Charlie, who dropped out of gay school last year. She knows that this boy who took lunch breaks in a relationship with a teacher (Fisayo Akinade) makes her feel more at ease than anyone.

Charlie and Nick naturally become best friends, an event that worries Charlie’s old friends Tao (William Gao) and Isaac (Toby Donovan). Tao, especially those who have seen Charlie’s love affair with the boys locked away at his school, are skeptical of Nick and his intentions. Behind this suspicion lurks a greater anxiety about the changes: ever since her best friend He (Yasmin Finn), a trans girl, transferred to a nearby all-girls high school, the group dynamic has not been the same.

Brooch Worried about the changes: his mania, his weight, the big picture in a teenager’s mind. The way the show explores this topic makes it more exciting to watch. We’ve all been there, suffocated by the prospect that the lives we’ve built, the definitions we find ourselves in, the identities we’re forced to fulfil, no longer make sense. Or worse, they never did.

Nick reluctantly experiences this identity crisis early on. The more time he spends with Charlie, who ends up joining the rugby team, the more he feels he is changing. His stone identity is searched in the darkness of his bedroom, where he Googles questions like “Am I gay” and “How do you know you’re bisexual?” Brooch Respecting those moments and gently bringing them into the conversation, Charlie finally starts to tell Nick about his own sexuality. Armed with information, a different Charlie begins to live: he’s not ashamed of who he is; He just wants to explain himself better.

Other members of the friend group are struggling with their own changes. Eli initially struggles for friendship at the new school until he joins a trio with Tara (Corina Brown) and Darcy (Kizi Egel). Tao, who is afraid of abandonment, can’t stand for his friends, with their new love and life, to move on.

Director Euro Lin and cinematographer Diana Olifirova use bright and colorful visual language to tell the story of each of these characters. It’s all underpinned by a touch of whimsy, reminiscent of Josephine Decker’s latest YA film. heaven is everywhere. BroochThe composer and music directors also deserve praise for the show’s music team, which is sure to inspire countless gifs and the “best” compilation videos.

Probably BroochHis greatest strength is how he handles honesty: Osman appreciates his worth but is aware of his challenges. The series ultimately sees any attempt at sincerity, no matter how small, not just as a step in the right direction, but an achievement in itself.

Source: Hollywood Reporter

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