The White Lotus: Theo James used prosthesis for frontal nudity scene

The White Lotus: Theo James used prosthesis for frontal nudity scene

Theo James appears in frontal nudity at the beginning of season 2 of The White Lotus

Right at the beginning of the second season of The White Lotusseries of HBO created and written by mike whitethe public could see a frontal nudity scene with Theo Jamesinterpreter of Cameronwho undressed in front of harpercharacter played by aubrey plaza🇧🇷 With the display of the new phase of production, the actor revealed some details of this scene.

During an interview with The Tonight Show Starring Jimmy Fallon🇧🇷 James revealed how he needed to wear a penile prosthesis for the scene’s filming, in addition to “a great deal of preparation” for having to be (practically) naked.

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Renato Aragão (Photo: reproduction / Instagram)

Renato Aragão is hospitalized with TIA

“When you have these scenes, you usually have a conversation with the director and the producers. I said, ‘Honestly, I just want it not to steal attention, the scene is not about the penis, it’s about power play in sex,'” he said. stated the artist in the conversation. He even revealed how he could guess about the size and appearance of the penile prosthesis.

Furthermore, Theo James recalled how he was surprised by the size of the prosthesis – and it caught the attention of viewers of the series when the episode of the scene aired: “It’s like [a profissional prostética contratada para o seriado] had stolen it from a donkey. The thing is gigantic.”


The White Lotus: What does the intriguing theme song of the HBO series say?

Far beyond the talented actors, acclaimed direction and screenplay and passionate landscapes, one of the most intriguing and praised elements of The White Lotusanthology series created by mike whiteis the soundtrack, especially the theme song for the second season, which ends next Sunday, the 11th.

Even with a change in the cast between the first and second seasons, the composer of the soundtrack remained the same: the Chilean Cristobal Tapia de Veer🇧🇷 It is worth remembering how the first year gained two Emmys important: Best Musical Composition for a Series and Best Opening Theme🇧🇷

In the second season, “Renaissance” is the theme song – and predecessor to “Aloha!“. During an interview with BuzzFeed🇧🇷 tapia de veer revealed some details about the song, which has vocals similar to the first season, while having some influences from Italy, the country where the second takes place.

“It feels like it’s ballad-friendly already. It feels like a party and just a total celebration. When the beat drops, we’re going through these chords,” stated the soundtrack composer. “It feels big to me. It’s very exciting and like we’re going on a journey.”

Nonetheless, Cristobal Tapia de Veer was somewhat insecure with the writing and recording of “Renaissance“: “This looked pretty clean compared to the first one. The first season’s music was more aggressive and chaotic.”

Far beyond the talented actors, acclaimed direction and screenplay and passionate landscapes, one of the most intriguing and praised elements of The White Lotusanthology series created by mike whiteis the soundtrack, especially the theme song for the second season, which ends next Sunday, the 11th.

Even with a change in the cast between the first and second seasons, the composer of the soundtrack remained the same: the Chilean Cristobal Tapia de Veer🇧🇷 It is worth remembering how the first year gained two Emmys important: Best Musical Composition for a Series and Best Opening Theme🇧🇷

In the second season, “Renaissance” is the theme song – and predecessor to “Aloha!“. During an interview with BuzzFeed🇧🇷 tapia de veer revealed some details about the song, which has vocals similar to the first season, while having some influences from Italy, the country where the second takes place.

“It feels like it’s ballad-friendly already. It feels like a party and just a total celebration. When the beat drops, we’re going through these chords,” stated the soundtrack composer. “It feels big to me. It’s very exciting and like we’re going on a journey.”

Nonetheless, Cristobal Tapia de Veer was somewhat insecure with the writing and recording of “Renaissance“: “This looked pretty clean compared to the first one. The first season’s music was more aggressive and chaotic.”

Source: Rollingstone

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