Studio operator The Other End has strengthened Canada’s fast-growing virtual production market with an agreement with California’s PhaseSpace and its real-time motion capture system to become its exclusive Canadian partner.
The Toronto-based company will install the PhaseSpace Impulse X2E surveillance system to give producers and creators access to real-time footage of an actor or object moving through a virtual production scene to save costs and increase performance. He told the founder and CEO of The Other End the hollywood reporter.
“Virtual manufacturing is a very new market and the Bible is not quite there,” said Endalah, as manufacturers want to spend less time calculating and configuring the tracking system in response to any changes or calibration needs. Tracking system very often. The partnership between The Other End and PhaseSpace also comes as virtual production increasingly becomes a sought after component of physical film and television production in Canada and elsewhere.
“like this [PhaseSpace] Installation is easier to calibrate and calibration is required less frequently, making it significantly more affordable than other solutions of the same quality level,” added Endalah. Other Canadian players such as Pixomondo and local partner William F. White International in Vancouver and Toronto and Mels Studio in Montreal are also making big investments in virtual production stages.
Motion capture systems allow you to record the movement of objects or actors and use this data to animate digital models. The San Leandro, California-based PhaseSpace Impulse X2E system provides real-time tracking of various subjects and objects at 960 frames per second with full 13 MP resolution.
And custom linear detectors allow the Impulse system to capture motion at a resolution of 36,000 x 36,000 subpixels, or about 100 times that of most motion cameras. For The Other End, which will open a virtual production scene in Toronto in summer 2022, followed by Second Vancouver, the PhaseSpace motion capture system will also allow producers to increase their creative control using live action and the latest environment created. digitally. Virtual production stage.
“To maximize our creative potential during production, we always want to make sure that we are as discreet as possible about how the client needs the camera to move and function, but we still aim for a quality, reliable result. “PhaseSpace allows our team to overcome past technical hurdles that will lead to camera tracking instability without the use of expensive and invasive hardware,” said Kevin McGigg, head of virtual production at The Other End.
“By minimizing the amount of equipment we need while producing a high quality signal, we can get the data out of our equipment without complicating or slowing down the production process,” added McGig.
Kan Anant, Technical Lead at PhaseSpace, said combining The Other End’s virtual production expertise and his company’s traffic tracking expertise will provide the best solutions for clients in the film and media industries. “PhaseSpace looks forward to this partnership, which will take virtual production to the next level, both in Canada and around the world,” Anant said in a statement.
Source: Hollywood Reporter
Camila Luna is a writer at Gossipify, where she covers the latest movies and television series. With a passion for all things entertainment, Camila brings her unique perspective to her writing and offers readers an inside look at the industry. Camila is a graduate from the University of California, Los Angeles (UCLA) with a degree in English and is also a avid movie watcher.
