Everything goes: Leila joins the villain of the plot

Everything goes: Leila joins the villain of the plot

In the plot of 21:00 in Globo, Leila, played by Carolina Dieckmann, built a relationship of complicity with Marco Aurélio (Alexandre Nero), to the point of involving him in illegal patterns.




The character, previously married to Ivan (Renato Gós), showed the desire to participate in the partnership plans of the businessman, also suggesting the creation of an aesthetic company to wash the resources diverted by the TCA.

However, the loving involvement between Marco Aurélio and Maria de Fátima (Bella Campos) was the trigger of a turning point in Leila’s posture. After discovering infidelity, he lost control and decided to react without reserve.

The clash with the rival took place suddenly, leaving Maria De Fatima timeless to defend herself. As reported by André Romano, the scene was marked by physical aggression and difficult words, with Leila who clarified that he does not admit that he is deceived.

Reason for the new alliance between the characters

After the episode of violence, a new scenario begins to draw. In an unexpected movement, Leila and Maria de Fátima begin to strengthen relationships, initially because of an event that Marco Aurélio himself asked his wife to organize with the aim of impressing a sheikh.

Despite the initial resistance, Leila accepted the mission, but had the support of the former rival, who offered to help produce the reception.

Transformation of relationships

What started as a simple cooperation quickly evolved into a more solid approach. This improbable alliance can even culminate in even closer coexistence.

Depending on the maintenance of the original narrative line of the author Manuela Dias, Leila will protect Maria de Fátima after her expulsion from AFFSO (Humberto Carrão), when he discovered a betrayal of his wife with Cesare (Cauã Reymond).

Expectation for the next chapters

With the turnaround, Leila is highlighted in the soap opera antagonist gallery. Until then involved only in the patterns with Marco Aurélio, the character is now repositioned in front of the plot, led by a feeling of revenge and at the same time, by strategic interests.

As pointed out, “Leila’s attitudes promise to have an impact on the future of all the subjects involved”.

Source: Terra

You may also like