[Warning: This story contains spoilers for Doctor Strange in the Multiverse of Madness.]
What bothers you, Esteban?
No, this is not a line. Dr. Strange in many worlds of madness, However, it may well be. This is the case of Marc Andreico et al. Crail Russell’s unique title from Marvel’s 1997 Eisner winner, which features Dr. Strange traveling across dimensions to save Wong. Also, Strange faces a heartbroken, power-hungry mage who seeks his power until he finally casts his citadel upon himself.
Sam Rhyme’s sequel is by no means an adaptation of this story, although the similarities between the two works are striking. The most intriguing is him. The versatility of madness It also starts Stephen’s (Benedict Cumberbatch) journey through reading, which also raises the dilemma of what bothers him. “Are you happy?” Dr. Christine Palmer (Rachel McAdams) asks her to marry another man. Strange smile and lie, “I am”. For all the thought-provoking journeys into alternate dimensions and cameos, pointing to greater ambitions in the Marvel cinematic world; The versatility of madness It’s a remarkably simple and focused story that forces its characters to question the price of their happiness and when and where they can use such a crucial emotion.
It was so exciting to take something out of it The versatility of madness With the horror (at a time when the MCU was teasing the Fantastic Four’s upcoming appearances) and the inclusion of “raids” in the story, the Doctor Strange sequel’s biggest strength is that it becomes an important part of the story. future of the multiverse. Thematic narrative. In the fourth phase of the MCU so far, built around characters finding their roles and purposes in a world irreversibly altered by Thanos, it’s commendable that Dr. Strange in many worlds of madness Find your central character and antagonist at the crossroads of what they will become and what roles are in store for them.
Although there was an expectation from some audience that the sequel would usher in a wider playing field. Loki (2021), Spider-Man: No Way Home (2021), adaptations of Fox’s X-Men, Deadpool and MCU characters, The versatility of madness Instead it depends on installed threads Doctor Strange (2016), Wanda’s Vision (2021) and იქნებაIs it…? (2021), which becomes a character-oriented film about the price of desire, which must be determined by a single element, component, although there is nothing more familiar about it. როOroth slain The series, which appears in many of Rhyme’s films, since Crimwave (1985) a simple plan (1998) ᲬAmatri in hell (2009). Although the rhyme’s aesthetic style is clearly distinct The versatility of madnessThe themes that he invested so much in his filmography are also very current and fit in very well with the previous ideas of the MCU.
In the Marvel Studios animated series, იქნებაIs it…? There’s an episode titled “What if… Dr. Strange lost his heart instead of his hands?” This is not only the best episode of the series, but also an excellent leader in how The versatility of madness Watch Stephen Strange and Wanda Maximoff (Elizabeth Olsen) in pursuit of happiness. Within this episode, Kristin Palmer dies and even though the time stone uses her to survive and fails repeatedly, her death is an absolute blip.
Strange then travels back in time in search of the lost books of the wizard Kaliostro and begins using dark magic to use alternate dimensional demons, taking their powers for himself in order to break the rules of reality. The process turns him into a monster and causes his world to crumble. Inside The versatility of madness, We see other variants of Stephen Strange, who, while not drenched in grief, couldn’t let go, acted as Christine told Strange at the wedding, and let someone else take the knife.
Strange then admits that he refused to lead someone else, making difficult decisions due to his fears, losses, failures, saving lives and averting tragedies. This fear, derived from the death of her sister, was expressed Doctor StrangeDirected by Scott Derrickson. In this movie, Strange has given up on patients’ problems, he knows he couldn’t succeed. He mentions that he didn’t want to break his line, and his depressing ego makes him a glorious dog, but it’s fear that drives him.
And that same fear explains her cold relationship with Wong (Benedict Wong) and the beginning The versatility of madness, and the nonchalant treatment of his own dead variant’s body, with a ponytail. He is afraid of losing. He is afraid of being stuck. And he is afraid of impotence. These fears were only exacerbated by the damage to the nerves in his hands, even if he left Kamar-Taj a less selfish individual on the surface.
Wanda is driven by a similar fear of helplessness that also stems from her childhood and her parents’ inability to survive the bombing of Sokovia. So he surrendered to an order that would give him strength. Hydra, of course, was not Kamar-Taj, but it provided him with the tools to fight his fears and create fear in others. However, even with that strength, she was unable to save her brother Pietro (Aaron Taylor-Johnson) and was unable to save her husband, Vijon (Paul Bethany).
And even after he used his reanimation to raise two children, Billy (Julian Hilliard) and Tom (Jet Klein), he still couldn’t contain them. He still couldn’t find happiness. Wanda’s mind was broken, as evidenced by her portrayal in the film, just as Strange’s hands were broken and they went both ways to find answers across the magical, multifaceted world.
Dr. Strange and Wanda in this film portray rather sober visions of people who have saved the world but still don’t have time with the people who need them most in their lives. Rhyme exploited this to a lesser extent in his case. Spider man The films in which Peter Parker (Toby Maguire), despite having saved New York countless times, continues to ask to “leave what we love most, even our dreams”. Parker, however, was not a wizard and did not realize that these dreams could be his choice for Dreamwalking into the infinite possibilities of the multiverse.
There will definitely be a lot of discussion over the next few years about the role of Wanda Scarlett Witch. The versatility of madnessAnd how he uses her as an antagonist in the movie after claiming he fixed everything Wanda’s Vision. But I think it’s fair to question how well they play them. Yes, Wanda freed dozens of Westviews whose minds she enslaved. But she also strips Agatha Harkness (Catherine Hans) of her ability to use magic and then enslaves her mind to “Agnes”‘s nose in the person of a neighbor who somehow feels crueler than killing her.
And instead of giving in to the crimes he’s committed, he runs away. Not only does he arrest the woman and evade justice, but he also takes a book of black magic, Darhold, to rediscover his children.
By revealing Wanda as a great evil The versatility of madness May arrive earlier than expected Wanda’s Vision Clearly established that he was where he was going, his moral failings were only exacerbated by his use of dark magic. Although there is a certain therapeutic message in the line of Vision: “What is pain but love? There’s also horror in it that begs the question, how long should it last before an inability to get over the past and love rots away?
In all worlds, Stephen hears or executes versions of himself that are corrupted by love because they wanted something fixed. Wanda, on the other hand, only sees versions of herself that have kept what she lost, her children, and the sacred expression of the love they share. “I’m not a monster, I’m a mother,” says Wanda at one point in the film, evoking sympathy despite the fact that she is no longer a mother, and when she was, she was only for children. Created through magic.
Without a single vengeful role, he faces something strange. He’s not a surgeon, he’s not a Sorcerer Supreme, he’s not the love of Christine’s life, and he’s not vindictive either, because a new team was never created. He’s a master of Sanctum Santorum in New York, but as his beloved added version says, he’s just a stuck house. Strange is surrounded by objects from the past like Wanda and memories of her. That’s what bothers them both.
Strange can move from the past to let someone else stab him, his body relies on an optional version of Christine Palmer, while in his dead version Dreamwalking and Wanda invade America Chavez (Xochtil Gomez) with their boast that their children will understand what has became . In America, Strange sees hope for the future, in new characters and in the role of mentor. Love can manifest itself in different ways.
Still, Wanda, who has suffered so many tragedies, sees no future without children and now, fearing her former allies, sees no love. He brings Mount Wundgore on his own, destroying all versions of Darold in the process and appears to meet his death. Of course, Wanda isn’t gone forever, and just as the comics did, there may be a chance for redemption in her future. But in the near future her happiness is unattainable and it is quite a bold and risky note to leave the superhero. It speaks to the emotionality that, even when heightened, comes from a trait that these larger characters look like real people, reflecting the storytelling goals of Rhyme and Marvel.
Source: Hollywood Reporter
Emily Jhon is a product and service reviewer at Gossipify, known for her honest evaluations and thorough analysis. With a background in marketing and consumer research, she offers valuable insights to readers. She has been writing for Gossipify for several years and has a degree in Marketing and Consumer Research from the University of Oxford.
