The look of Pedro Pascal on the red carpet of ‘The Mandalorian’ that has caused a furor in networks

The Disney + are having a major party. After the premiere of ‘The Last of Us’, they have seen how one of its protagonists became the star of the moment just before he returned to his ranks and, if all that were not enough, Pedro Pascal’s look on the red carpet of ‘The Mandalorian’ that has caused a furor in networks.

Choosing colors like the smartest minion in Gru’s house, with a sweater around his neck in case it cools down while having the Sunday aperitif and finishing off the outfit with glasses that would allow him to act as a stewardess in the ‘One, two, three’, Pascalete, as his relatives call him, thus attended one of the many premieres of the third season of the title that leads our ranking of all Star Wars series.

And it is not the first time that the good old Pedro draws attention for his wonderful talent when it comes to choosing clothes to be photographed, and it is that we already talked about what Pedro Pascal’s look was like at the premiere of ‘The Mandalorian’ with a mixture of astonishment, admiration, and, why not say it, envy. How is it possible that a brown crochet cardigan and pants from Filemón look so good on her? Is this guy doing everything right?

Annoyed, we review his filmography in search of errors to reassure ourselves. Ha! How did you do in ‘Wonder Woman’ (Jeffrey Reiner, 2011) canceled after its pilot for television, Pedro? And in that return of ABC’s ‘Charlie’s Angels’? And… well, that’s as far as we’ve come, because it’s true that ‘Wonder Woman 1984’ (Patty Jenkins, 2020) didn’t go very far and that ‘The Bubble’ (Judd Apatow, 2022) is terrible, but few other hits are They can put a career in which titles like ‘Homeland’, ‘Game of Thrones’ and ‘Narcos’ appear on the small screen to later be the best of ‘Kingsman: The Golden Circle’ (Matthew Vaughn, 2017), shine alongside Denzel Washington in the wonderful ‘The Equalizer 2’ (Antoine Fuqua, 2018), give us a hard time in ‘The Beale Street Blues’ (Barry Jenkins, 2018) and give us a toy with Nicolas Cage as ‘The Unbearable Weight of an enormous talent’ (Tom Gormican, 2022).

Now he is the protagonist of one of the best series on HBO Max, which has spliced ​​chapters with the premiere of one of the best recent series on Disney +. It is impossible to hate Pedro Pascal, it is impossible not to enjoy a guy who appears in so many projects that we are passionate about and, for this reason, we will continue to profit from his undeniable charisma as soon as he appears on a red carpet and we come up with another way to continue talking about everything we like. Or perhaps you have not reached here thanks to the magnetism of Pascalete?