Is Little Girl in Blue a good movie with Marion Cotillard?  The first viewers to express their opinion

Is Little Girl in Blue a good movie with Marion Cotillard? The first viewers to express their opinion

Marion Cotillard’s change of register: After earlier in the year as Cleopatra in the blockbuster Asterix & Obelix – The Middle Kingdom, the actress now headlines Little Girl Blue.

A feature film at the crossroads of documentary and fiction, in which director Mona Achachi tries to bring her dead mother back to life through her writings and notes. Although his role was entrusted to Marion Cotillard.

A strange, destabilizing, charming and moving little girl, Blue takes her name from the Janis Joplin song of the same name, which we hear over the credits. And it gets an average of 3.5 out of 5 (71 ratings) from AlloCiné internet users. What is the best marion cotillard movie since we graduate together in 2019.

They liked it

“Amazing in the most challenging role of his career” (Crossing 1), the actor receives the most praise. “spectacular” for that Raw618 (which gives it a 5 out of 5 rating), it delivers “One of his most beautiful interpretations” according to Ameline Grout (4.5 out of 5). Olivier Barlet further qualified as “Great Actor”.

Her transformation into Carol Achacha is one of the great moments of the film, full of surprises and ideas, in a poignant connection to the mosaic of affects and pains she slowly reveals.Written by someone who also rates it 5 out of 5. His sentiments echo those of two other Internet users.

Sensitive, intelligent, intense, deep beauty. Dense. Brave, rough, but modest

“Innovative, authentic, powerful film”said Luna Eberhardt (4 out of 5). “Half-documentary, half-fiction, this film brings something new and fresh to French cinema. It’s an amazing achievement that works and touches the public.” Lola-Virginie R (5 out of 5) speaks for itself “A sensitive, intelligent film, tumultuous, of deep beauty. Dense. Bold, raw, yet modest.”

“Those of whom, long after the session, certain scenes appear in their memory with the impression of discovering something new each time. Cries of pain, anger, indignation, boundless sorrow. Seeking salvation. Crying. Love.”

They didn’t like it

“The form is confusing at first until it finally reveals itself in a whirlwind of emotions”said Raw618, captured a feature film whose form has troubled some. as Crossing 1 (2.5 out of 5): “This staging and often in the abyss may strike some as a fragmented portrait, to say the least, over-played and absorbed by an invested actor, but whose film captures the doubts and hesitations of this so-inhabited incarnation.” “

A rather specific style may be attractive at first, but in the end it is not very original.

“At the end of the day, if we understand more or less who Carol Achachi was and the unspeakable abuse she suffered, the emotional connection to her daughter ends up taking a backseat, and it’s a bit of a shame because that’s important to us too.” Corrick Bernard (3 of 5) goes in the same direction: “The approach is certainly moving, but it’s also confusing and even upsetting at times (…) a well-made film that didn’t excite me personally.”

“I was not very sensitive to the general aesthetics of the work, which made me very sad”In the end, he regrets it Simon Bernard (2 out of 5). The story focuses very precisely and repeatedly on the lives of the women it describes, and I did not feel any additional value, except for the eternal emptiness of the meaning of such an action. A very specific style may be attractive at first, but in the end it is not very original.”

ắạẗ ạạ

Marion Cotillard seduces Internet users, and the form divides more: if we manage to bias Mona Achachi, the experience is confusing (in a good sense of the word) and moving. Otherwise, it’s impossible to remain cold in the face of this very personal and daring feature film.

And you ? What did you think of this little girl in blue?

Source: Allocine

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