Berlin on Netflix: This scene from episode 2 is a tribute to a great sci-fi movie

Berlin on Netflix: This scene from episode 2 is a tribute to a great sci-fi movie

Warning, spoilers. The following paragraphs show plot elements from the Berlin series.

After the huge success of La Casa de Papel on Netflix, incl Episodes 3 through 5 exceeded 500 million hoursIts creator Alex Pina extended the franchise with Berlin, a spin-off centered on the famous character played by Pedro Alonso.

This prequel to La Casa de Papel tells the story of his heist of the century in Paris with his gang of the time, consisting of Kayla (Michelle Jenner), Damien (Tristan Ulloa), Cameron (Begonia Vargas), Roy (Julio). Peña) and Bruce (Joel Sanchez).

Despite the adjusted plan, the group faces unforeseen events, especially Berlin, who has fallen in love with Camilla (Samantha Siqueiros), wife of Francois Polignac (Julien Pascal), sales director of the Maison des Enchères, who is the team. must fly

This impossible novel highlights eight episodes of the series, leading up to an explosive finale that allows theorizing about Camille’s potential future identity. Either way, Berlin and Camille’s love story is punctuated by some amazing scenes, including one entirely inspired by the script of the iconic 1990s SF film.

This Berlin scene is a reference to one of the most beautiful shots in cinema

In the second episode of the series, derived from La Casa de Papel, Camille falls under Berlin’s spell, even though she is married, and decides to join him in a hotel room. But for fear of burning herself with all the plans and equipment in her room, Berlin forces Camille to realize that this relationship is impossible and it’s better to leave it there.

However, love is stronger than robbery and Berlin chases Camille down the hotel corridor and then kisses her in the elevator. In the scene shot in this sequence, we see him at minute 29 running in front of the camera, then without changing the angle, we see his reflection in the mirror kissing Camille.

You may have noticed that this scene is an homage to one of cinema’s most famous scenes from a great, underrated sci-fi movie! Contact is a feature film by Robert Zemeckis, starring Jodie Foster and Matthew McConaughey, released in 1997.

The scene in question is Ellie (Jenna Maloney) walking up the stairs of her house to the bathroom. We first see him running in front of the camera, and then we see him open the bathroom cabinet in the mirror. We let you (re)discover the sequence below.

This honor comes after creators Esther Martinez Lobato and Alex Pina explained SensaCine that “This is a complete clue” :

“The director was inspired by that because he had that in mind when we did it. It gave us a lot of headaches when shooting that scene. We actually talked a lot about that sequence because it’s ultimately very difficult to execute.”

So how did Robert Zemeckis make a scene in Contact? The trick is actually quite simple: sequences are usually shot, then reversed and added in post-production to a mirror that was covered by a blue background during filming.

This is a fake sequence shot because two shots were shot and composited, the first added in post-production against a blue background that was cleverly placed on a mirror during filming, as the film’s artist Ken Ralston explained. Special effects in the interview. for that vfxblog Also on the Contact DVD commentary with Steven Rosenbaum, the special effects artist who worked on the Robert Zemeckis film.

The Berlin series is available on Netflix.

Source: Allocine

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