George Michael: Criticism of uncut freedom

George Michael: Criticism of uncut freedom

George Michael: Uncut freedom – which the singer was still working on at the time of his tragic death on December 25, 2016 – finally gives the superstar the theatrical release he and his countless fans deserve, offering new material including more footage from David Fincher’s “Freedom!” Recording the ’90’ clip.

Few artists in pop history have been as aware of their careers as Michael. After all, he was the man who ran the Whams! with a concert called “The Final” in a sold out event at Wembley in 1986, after hijacking “Careless Whisper” co-written with Wham! by Andrew Ridgeley years earlier, to launch his solo career in 1984. So it’s not surprising that George Michael: Freedom – also in his Without cutting Shape: Has a very neat feel. And despite his sincere and sectarian approach, we have the feeling, even at the end, that we don’t have him Really I met the man behind the megastar.

It’s a heartfelt and moving tribute to a true music legend.

For all those moments of quiet intimacy, there are so many contributions from dazzling talking heads, from Elton John to Stevie Wonder, Naomi Campbell and, surprisingly, Liam Gallagher, who emphasize Michael’s stunning professional status rather than delving into the complex character behind him. he . I think

The time elapsed since the film’s initial airing also made the documentary’s musical bookends (Adele and Chris Martin covering “Fastlove” and “A Different Corner” respectively) a little redundant in one way or another. in 2017, of course, they paid tribute to the artists at the top of the pop tree. Now, with Michael out for five years, there is an argument to see more performances from the man himself.

However, it’s a heartfelt and heartwarming tribute to a true music legend, seemingly plagued by insecurity even as he ruled the pop world, tracing his path from schoolboy Bushey geek to world icon in the linear fashion of a written autobiography. . Michael’s stylistic gimmick of typing each chapter on a typewriter in his Highgate home brings home the point, and as the last personal document we have of the man it remains valuable despite his flaws. Just like Michael himself.

Source: Empire online

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