It’s happening on Netflix today: Cate Blanchett didn’t win an Oscar for this role… and we still don’t know why!

It’s happening on Netflix today: Cate Blanchett didn’t win an Oscar for this role… and we still don’t know why!

In a post #MeToo world where the culture of cancellation is increasingly influencing society and the cultural world, Tár, directed by Todd Field and the masterful Cate Blanchett, stands out as a powerful work of rare sophistication on this delicate subject.

Cate Blanchett brilliantly plays the role of world famous conductor Lydia Tarr. The complexity of the subject is tackled with force and bite, revealing the personal and professional consequences of a culture of cancellation.

A nuanced portrait of power dynamics

When we meet her at the beginning of the film, Lydia Tarr is at the peak of her career. He is especially respected and feared in the world of classical music. But his empire begins to crumble as the consequences of his past actions resurface.

A former student, an apprentice conductor who worked under Lydia Tarr’s wing and who was pushed aside by her, has just killed himself. What drove the young woman to this tragic gesture? Did Lydia Tar cross the boundaries of professional ethics?

And while he prepares his big project – making a public recording of Gustav Mahler’s Symphony No. 5 for Deutsche Grammophon – he indulges in favoritism towards a young cellist he tries to seduce, to the detriment of his own wife, Sharon (Nina Hoss). which is still the first violin in his orchestra.

This is where the film explores the complexities of power dynamics in surprising depth, showing how they can influence and corrupt.

Blanchett’s nuanced performance brilliantly captures the complexity of the subject through the gradual descent her character undergoes into viciousness caught between serious accusations and public judgment. The film presents a fascinating character study that sheds light on the complex mechanisms of abolitionist culture.

Brilliant production and writing

With Tár, Todd Field doesn’t just paint a black-and-white picture of events. He chooses to plunge the audience into the gray areas of morality. The film questions professional ethics, personal responsibility, and the sometimes destructive effects of media and public judgment.

The production is meticulous, each shot, each silence loaded with meaning, helping to build palpable tension. The script, far from providing easy answers, invites the audience to their own reflection on the culture of cancellation.

Sludge

So we would say that Tár is probably the most brilliant film about abolition culture not only because of its exceptional interpretation and precise direction, but also because of its mature and thoughtful approach to this complex cultural phenomenon.

Cate Blanchett gives a performance that will undoubtedly go down as one of the most memorable of her career, playing Lydia Tarr, who is at once impressive, terrifying and incredibly human. for all its faults.

Todd Field delivers a film that is not only a portrait of the fall of man, but also a powerful resonance of the themes of authority, power and its loss. That’s why Tár is a must-see, a film that leaves a mark with its bravery and commitment to exploring uncomfortable truths.

Tár is now available on Netflix.

Source: Allocine

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